The Pixies are an American alternative rock band formed in 1986 in Boston, Massachusetts. Until 2013, the band comprised Black Francis (vocals, rhythm guitar, songwriter), Joey Santiago (lead guitar), Kim Deal (bass, backing vocals) and David Lovering (drums). The band disbanded acrimoniously in 1993 but reunited in 2004. After Deal left in 2013, the Pixies hired Kim Shattuck as a touring bassist; she was replaced the same year by Paz Lenchantin, who became a permanent member in 2016.
The Pixies are associated with the 1990s alternative rock boom, and draw on elements including punk rock and surf rock. Their music is known for its dynamic "loud-quiet-loud" shifts and song structures. Francis is the Pixies' primary songwriter; his often surreal lyrics cover offbeat subjects such as extraterrestrials, incest, and biblical violence. They achieved modest popularity in the US but were more successful in Europe. Their jarring pop sound influenced acts such as Nirvana, Radiohead, the Smashing Pumpkins and Weezer. Their popularity grew in the years after their break-up, leading to a 2004 reunion and sold-out world tours.
Šarlo Akrobata (Serbian Cyrillic: Шарло Акробата; trans. Charlot the Acrobat, a Serbo-Croatian language version of Charlie Chaplin's name in the Kingdom of Yugoslavia) were a seminal Serbian new wave/post-punk band from Belgrade. Short-lived but extremely influential, in addition to being one of the most important acts of the Yugoslav new wave scene, the three piece left an indelible mark on the entire music scene of former Yugoslavia.
Spawning from the progressive/hard rock group Limunovo Drvo (Serbian Cyrillic: Лимуново Дрво; trans. Lemon Tree), founded in 1977 by guitarist and vocalist Milan Mladenović and guitarist Dragomir Mihajlović "Gagi", after several lineup changes, moved towards new wave music, with the arrival of bassist and vocalist Dušan Kojić "Koja" and drummer Ivan Vdović "VD". After performing as an opening act for Pankrti in April 1980, Mihajlović left the band and the remaining three members changed their name to Šarlo Akrobata, after a Yugoslav nickname for actor Charlie Chaplin. Subsequently, the trio recorded four tracks which were released on the 1981 compilation album Paket aranžman, now considered to be one of the most influential releases in the history of former Yugoslav rock music. During 1981, the band released their debut album Bistriji ili tuplji čovek biva kad..., after which, owing to irreconcilable differences between the band members, the band ceased to exist. The album received critical recognition and is regarded as one of the most notable albums of former Yugoslav rock music.
After the band disbandment, Mladenović with Vdović and Mihajlović formed Katarina II, which changed its name to Ekatarina Velika after the departure of the latter two, and Kojić formed Disciplina Kičme, changing its name to Disciplin A Kitschme in 1995. In 1992, Ivan Vdović died of AIDS, followed by Milan Mladenović's death from pancreatic cancer in 1994.
After the band disbandment, Mladenović with Vdović and Mihajlović formed Katarina II, which changed its name to Ekatarina Velika after the departure of the latter two, and Kojić formed Disciplina Kičme, changing its name to Disciplin A Kitschme in 1995. In 1992, Ivan Vdović died of AIDS, followed by Milan Mladenović's death from pancreatic cancer in 1994.
Poetika Zmaja: " Pesme iz ove zbirke odišu toplinom iskrenog iskaza. U pitanju je prvi, u stvari najneviniji, pogled koji iz imanentnog glasa javlja da je nužno tamu pretvoriti u svetlost. Zmaj i andjeli kruže po autorovim morama pristižući do kraja koji nema kraj. Ove pesme ne koketiraju sa već postojećim modelima i solucijama, već veruju u sopstvene detalje. Očito je: pesnik veruje sebi!
On ilustruje nadu i želi da je podeli sa drugima, jer pesma koja ne zna da komunicira vrlo brzo presahne u zamračenju neiskazanih namera. Tada započinje zarobljavanje prostora lažnim identitetom – kaže pesnik – što poetskim slikama treba ispraviti. Ali korekcija nije namet i ropska obaveza, nego predanost muzama koje kroje tačnu sudbinu pesništva satkanu od rafiniranosti i vremena.
Pesništvo, kao i u slučaju ovog pesnika, kazuje da spasa ima. Ne moramo ga čak ni pronaći, dovoljno je da započnemo putovanje ka njemu. " Iz Recenzije: Boško Mandić
Maska Od Ličnosti
Ne verujući u sopstvenu smrt,
Zarazno širi priču o smrti kao sudbinskoj kružnoj transmisiji,
Iznudom pljačka reč nežnog poverenja,
Trikom sastavlja sebe za svaki čas,
Surovo sklapa ugovor o poštovanju ništavne gluposti,
Veličanstveno daruje bol genijalnosti,
Razmetljivo pretače javu u san,
Širi halucinacije sopstvenih projekcija,
Šalje smrtonosne poljubce kod trenutka besne deliričnosti,
Surovim smehom prati tragove sprženih moždanih tačaka,
Sastavljen od crne tuge,
U njemu praznina haotično,
Rasplamsava ništavilo.
⚓
The Kiss Of The Dragon Woman
Le Baiser de la Femme Dragon
Author's translation EN & FR:
Mask Of Personality
Not believing in his own death,
Contagiously spreading the story of death as a fateful circular transmission,
Robbery by extortion, a word of gentle trust,
Trickom composes itself for every occasion,
Makes a contract to respect the worthless nonsense,
Magnificently bestows the pain of ingenuity,
He ostentatiously pours the wakefulness into a dream,
It spreads the hallucinations of its own projections,
Sends deadly kisses at a moment of raging delirium,
With a cruel laugh, he follows the traces of fried brain points,
Composed of black sorrow,
In it the void is chaotic,
It ignites nothingness.
Composed of black sorrow,
The emptiness in it is chaotic,
It ignites nothingness.
⚓
Masque de Personnalité
Ne pas croire à sa propre mort,
Diffusant contagieusement l'histoire de la mort comme une transmission circulaire fatidique,
Vol par extorsion d'un mot de tendre confiance,
Trick l'arrange pour chaque occasion,
Passe un contrat pour respecter les bêtises sans valeur,
Il verse ostensiblement l'éveil dans un rêve,
Elle propage les hallucinations de ses propres projections,
Envoie des baisers mortels à un moment de délire enragé,
Avec un rire cruel, il suit les traces des taches cérébrales brûlées,
Shine a Light is a 2008 concert film directed by Martin Scorsese documenting the Rolling Stones' 2006 Beacon Theatre performances during their A Bigger Bang Tour. The film also includes archive footage from the band's career and marked the first utilisation by Scorsese of digital cinematography for his films, with it being used for the backstage sequences. The film takes its title from the song of the same name, featured on the band's 1972 album Exile on Main St. A soundtrack album was released in April 2008 on the Universal label. This is also the last movie by Paramount Classics, as the company merged into its sister company Paramount Vantage after the movie was released.
Martin Scorsese and the Rolling Stones unite in "Shine A Light," a look at The Rolling Stones." Scorcese filmed the Stones over a two-day period at the intimate Beacon Theater in New York City in fall 2006. Cinematographers capture the raw energy of the legendary band.—alfiehitchie
Gotham is a double-disc live album by English gothic rock band Bauhaus of a concert performed in 1998, released in 1999 by record label Metropolis. The album also includes one appended studio track, a cover of "Severance", originally recorded by Dead Can Dance on their 1988 album The Serpent's Egg.
Disc one
No.TitleLength
1."Double Dare"6:20
2."In the Flat Field"4:08
3."A God in an Alcove"4:25
4."In Fear of Fear"3:35
5."Hollow Hills"6:29
6."Kick in the Eye"3:48
7."Terror Couple Kill Colonel"3:58
8."Silent Hedges"3:49
9."Severance" (Dead Can Dance cover)7:23
10."Boys"4:04
11."She's in Parties"5:54
12."The Passion of Lovers"3:36
13."Dark Entries"3:56
Disc two
No.TitleLength
1."Telegram Sam" (T. Rex cover)2:23
2."Ziggy Stardust" (David Bowie cover)3:25
3."Bela Lugosi's Dead"13:31
4."All We Ever Wanted"4:38
5."Spirit"5:22
6."Severance (Studio Version)" (Dead Can Dance cover)7:20
Bauhaus are an English rock band, formed in Northampton, England, in 1978. The group consists of Daniel Ash (guitar, saxophone), Peter Murphy (vocals, occasional instruments), Kevin Haskins (drums) and David J (bass). The band was originally named Bauhaus 1919 in reference to the first operating year of the German art school Bauhaus, although they shortened the name within a year of formation. One of the pioneers of gothic rock, Bauhaus were known for their dark image and gloomy sound, although they mixed many genres, including dub, glam rock, psychedelia, and funk.
A taping of the band's concert at the Roseland Ballroom in New York City during their 1998 reunion tour.
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