AND ALSO THE TREES (Best Albums Ever)

 

And Also the Trees - You Tube Topic

And Also the Trees - Spotify

And Also the Trees Bandcamp.com

AND ALSO THE TREES - In A Bed In Yugoslavia

And Also the Trees su engleski bend nastao 1979. godine u selu Inkberrow, Worcestershire, u srcu ruralne Engleske. Njihova muzika, prožeta post‑pankom i gotik rokom, nosi jedinstvenu atmosferu – zvuk koji izvire iz pejzaža engleskog sela, književnih tradicija i mračnog romantizma.

Osnivači i postava: Bend su pokrenuli braća Simon Huw Jones (vokal, tekstovi) i Justin Jones (gitara), a današnju postavu čine i Paul Hill (bubnjevi), Grant Gordon (bas) te Colin Ozanne (klarinet, klavijature).

Stil i estetika: Njihov izraz je poetski, a gitarska tehnika Justina Jonesa često priziva zvuk mandoline. John Peel ih je jednom opisao kao „previše engleske za same Engleze“, što možda najbolje oslikava njihovu posebnost.

Veza sa The Cure: U ranim godinama, Robert Smith i Lol Tolhurst iz grupe The Cure bili su im mentori. Tolhurst je producirao njihov prvi album i singlove, čime je bend dobio snažan podsticaj na početku karijere.

Diskografija:

And Also the Trees imaju jednu od najbogatijih diskografija u post‑pank/gotik rokenrol sceni – od debitantskog albuma iz 1984. do najnovijeg izdanja The Devil’s Door (2026). Objavili su ukupno 15 studijskih albuma, uz niz EP‑eva, live snimaka i kompilacija.

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📀 Studijski albumi

Evo kompletne liste njihovih albuma:

Godina	Naslov albuma	Napomena
1984	And Also the Trees	Debitantski album, producirao Lol Tolhurst (The Cure).
1986	Virus Meadow	Jedno od najcenjenijih izdanja, ruralne i romantičarske teme.
1988	The Millpond Years	Razrađeniji zvuk, naglašena atmosfera.
1990	Farewell to the Shade	Poetičan, introspektivan album.
1992	Green Is the Sea	Melodičniji pristup, bogat aranžman.
1996	Angelfish	Eksperimentalniji ton, naglašene teksture.
1998	Silver Soul	Tamniji, introspektivan zvuk.
2001	Return to the Ark	Povratak korenima, naglašena lirika.
2003	Further from the Truth	Album sa snažnim narativnim elementima.
2007	(Listen For) The Rag and Bone Man	Evokativan, atmosferičan.
2010	Driftwood	Album sa akustičnim naglascima.
2012	Hunter Not the Hunted	Intenzivan, sa snažnim gitarama.
2015	Born Into the Waves	Lirski i melanholičan.
2020	The Bone Carver	Nastavlja tradiciju mračnog romantizma.
2024	Mother‑of‑Pearl Moon	Petnaesti album, melanholični pejzaži.
2026	The Devil’s Door	Najnovije izdanje, evocira prepoznatljiv zvuk benda.

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🎶 EP‑evi i značajna izdanja

• The Evening of the 24th (1987) – live snimak.
• Shaletown (1987) – EP.
• Angelfish EP (1996).
• Live in Geneva (2006).
• In Memory of Jane (kompilacija).

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🌍 Status i uticaj

• Kultni status u Evropi – posebno u Francuskoj, Švajcarskoj i Nemačkoj.
• Mentorstvo The Cure – Robert Smith i Lol Tolhurst pomogli u ranim godinama.
• Paralelni projekat – Brothers of the Trees, improvizovani setovi sa gitarom i poezijom.

___________________________________________________________________________________

👇

Posetite: 

📖 Спонтано сагоревање - Себастиан Сава Гор - Nova POETIKA

📖Komplet Knjiga - Sebastian Sava Gor - Nova POETIKA

📖 Poljubac žene zmaja - Dobra Knjiga

📖 Noć slomljenih strela - Sebastian Sava Gor - Dobra Knjiga

📖 Ishod na nišanu - Sebastian Sava Gor - Dobra Knjiga

***

📖Instagram: https://www.instagram.com/sebastianexex/

📖Facebook: https://www.facebook.com/SebastianSavaG/

Best Albums Ever: Bill Evans - From Left to Right (1971 Album)

Осврт на живот и дело Била Еванса

Бил Еванс (Bill Evans), један од најзначајнијих џез пијаниста 20. века, рођен је 16. августа 1929. године у Плејнфилду, Њу Џерзи. Његова музика представља синтезу класичне музичке традиције и модерног џеза, обликована нежним, импровизационим сензибилитетом, али и дубоком меланхолијом. Познат је по рафинираној динамици, хармонијама које подсећају на Дебисија и Равела, као и по способности да створи интимну атмосферу чак и у најсложенијим импровизацијама.

Евансова каријера је обележена сарадњом са многим великанима џеза, међу којима је и Мајлс Дејвис. Његов рад на легендарном албуму Kind of Blue (1959) утицао је на правце модалног џеза. Међутим, његов највећи уметнички печат остаје повезан са трио формом — нарочито са Скотом Лафаром и Полом Моушном, са којима је створио нови концепт интеракције у џез ансамблу, где сви инструменти воде подједнако значајан дијалог.

Евансово свирање је често било интроспективно и медитативно, прожето личном трагедијом и борбом са зависношћу, што му је давало јединствену дубину. Његова музика је сведочанство о људској рањивости, али и о трагању за лепотом упркос тами.

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О албуму From Left to Right (1971)

Албум From Left to Right представља необично поглавље у Евансовом опусу. Снимио га је 1971. године и на њему први пут комбинује акустични клавир са електричним клавиром (Fender Rhodes), што је у то време било нешто ново за њега. Наслов албума алудира на панораму звука — лево је електрични, а десно акустични клавир, што ствара утисак дијалога самог са собом.

Овај албум се издваја по атмосфери — мање је меланхоличан, више лирски и кинематографски, са аранжманима за оркестар и струнски ансамбл. Упркос томе што га неки критичари нису сматрали међу његовим најдубљим делима, From Left to Right приказује Еванса у другачијем светлу — као нежног романтичара који не одустаје од експеримента.

Поготово је занимљиво слушати како Еванс проналази интимност у звучном луксузу — он и даље остаје песник клавира, чак и у продукцијски богатијем окружењу. Ово је албум за ноћна слушања, за унутрашње разговоре и тиха размишљања.

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Review of the Life and Work of Bill Evans

A Reflection on the Life and Work of Bill Evans

Bill Evans, one of the most influential jazz pianists of the 20th century, was born on August 16, 1929, in Plainfield, New Jersey. His music represents a synthesis of classical tradition and modern jazz, shaped by a gentle improvisational sensibility and deep melancholy. He is known for his refined dynamics, harmonies reminiscent of Debussy and Ravel, and for his ability to create intimate atmospheres even in the most complex improvisations.

Evans’ career is marked by collaborations with many jazz greats, including Miles Davis. His work on the landmark album Kind of Blue (1959) helped shape modal jazz. However, his most profound artistic legacy lies in his trio work, especially with Scott LaFaro and Paul Motian, where he pioneered a new model of group interaction in jazz, with each instrument contributing equally to the musical dialogue.

Evans’ playing was often introspective and meditative. It was imbued with personal tragedy and a struggle with addiction, which gave it unique emotional depth. His music stands as a testament to human vulnerability and the search for beauty despite the darkness.

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About the Album From Left to Right (1971)

From Left to Right is a unique chapter in Evans’ discography. Recorded in 1971, it was the first album on which he combined an acoustic piano with an electric one (Fender Rhodes)—something new for him at the time. The title refers to the sound panorama, with the electric piano on the left and the acoustic on the right, giving the impression of a dialogue with himself.

This album stands out for its atmosphere — less melancholic, more lyrical and cinematic, featuring orchestral and string arrangements. While some critics don’t consider it among his deepest works, From Left to Right shows Evans in a different light — as a gentle romantic who doesn't shy away from experimentation.

It is particularly interesting to hear how Evans finds intimacy within sonic richness — he remains a poet of the piano, even in a more lush production setting. This is an album for late-night listening, for inner conversations and quiet contemplation.

Nova POETIKA

ПРЕДСТАВЉА:

СПОНТАНО САГОРЕВАЊЕ

Из предговора:

"...У 72 приче, колико се сакупило у три дела ове зирке, дато је можда једно од најтурбулентнијих путовања у човекову подсвест у последње време у домаћој књижевности..." - Јелена Дилбер

NOĆ SLOMLJENIH STRELA

Iz Predgovora:

"...MEGALOPOLIS III

Mister anonimus, stanovnik velegrada, ponovo medju nama – kratke priče”Noć slomljenih strela” Sebastijana Sava Gor-a

 

Anarhizam se danas modernizovao a urbani buntovnik konformizovao. Svetska revolucija nije uspela, ostalo nam je da sami vodimo svoje bitke a ostao nam je i andergaund (underground). Pred nama je jedan  andergraund opredeljen mlađi beogradski pesnik, rok muzičar i pisac, Sebastijan Sava Gor, koji nam u ovoj svojoj seriji kratkih priča pripoveda o urbanizovanim ambijentima Megalopolisa III, megalopolisa nužnosti, za razliku od futurističko-tehnicističkog Megalopolisa I, megalopolisa želje – Metropolisa, Frica Langa (Fritz Lang, 1890-1976), nikad ne ostvarenog, i Megalopolisa II - tepih-urbanizacije iz šezdesetih godina prošlog veka koja je obećavala “posao i stan za svakog”, ali neuspešno, što se kasnije uspostavilo i kao utopija. Andergraund je ovde važan kao jedini nastavak ideja o Svetskoj /modernoj/ revoluciji, nastalih na zdravoj osnovi Spenserovog  konzervativnog anarhizma (Herbert Spencer 1820 –1903) sa krilaticom: “The Man versus the State / Čovek protiv države/”,  a koji  se takođe nikad nije realizovao kao “naivan”. Dok su se u medjuvremenu pojavile ideje o globalizaciji sveta i društvu bez države, ovaj umetnički pravac, mada naizgled globalistički, zapravo je jedini ostao anarho-podrivački  i ima za krajnji cilj da podrije sve društvene sisteme, aparature i establišmente, bilo koje vrste, pošto ih smatra za prodate i pokvarene..." 

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Review of the book – Sebastian Sava Gor: “The Night of Broken Arrows”, Belgrade, 2014

This collection of short stories explores the figure of the urban man today. The text analyzes contemporary urban existence and shows that, in these stories, the modern urban man is quite different from the one found in Megalopolis I / Metropolis by Fritz Lang — the megalopolis of desires — as well as from the urban man of Megalopolis II, marked by mass urbanization since the 1960s, an urbanization of disappointment.

The conclusion is that today we live in a Megapolis with a cult of fun and games, and that the writer stands in opposition to it — fighting for more nature and a more natural way of life: within oneself, in everyday life, and in love.

Free PDF - MEGALOPOLIS III Jadranka Ahlgren

ISHOD NA NIŠANU

Iz Predgovora:

„...da je na Zemlji sve racionalno, ništa se ne bi ni događalo...“

- Fjodor Mihajlovič Dostojevski

Objektivna neracionalizacija je postala opšta pojava i u tom smislu egzistencija je ugrožena.

Tražeći, kao hodajući kroz mrak, autor uspeva da iracionalno, nadrealno, podsvesno, lično i kolektivno nesvesno, osvetli i da kroz sopstvenu prizmu, realizuje specifičnu i novu lingvističku formu, nov, literarni stil, kojim nam. predstavlja zbirku poezije, tako otvoreno slikovitu, bez poređenja, koketiranja, sa bilo kakvim

autoritetima, koja postavlja jako bitna pitanja, prvenstveno pitanja koja se tiču naše zajedničke egzistencje.

Na veoma jedinstven i snažno poetičan način, Sebastian Sava Gor uspeva da pretvari nadrealno u egzizstencijalno.

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zbirka Kratkih Priča. кратка прича. kratka priča. short story. histoire courte. књижевност. литература

Muzika i Poezija: Jedan Dan (EX EX bend) / Music and Poetry: One Day (EX EX band) / Музыка и поэзия: один день (группа EX EX)

Jedan dan

Leteli smo iznad oblaka

Dotatkli smo duboko pesak mora

Deca su brzo trčala

Šuma je nešto govorila

Planina je tajna vrata otvorila

Nije bilo senki, nije bilo straha

Ona ga je dugo, dugo ljubila...

Jedan dan...

Jedan dan i početak i kraj.

English Translation:  

Music and Poetry - One Day  

We flew above the clouds  

We touched deeply the sea’s sand  

Children were running swiftly  

The forest was saying something  

The mountain opened secret doors  

There were no shadows, there was no fear  

She kissed him for a long, long time...  

One day...  

One day, both the beginning and the end.  

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Russian Translation:  

Музыка и поэзия - Один день  

Мы летали над облаками  

Мы глубоко коснулись песка моря  

Дети быстро бежали  

Лес что-то говорил  

Гора открыла тайные врата  

Не было теней, не было страха  

Она целовала его долго, долго...  

Один день...  

Один день — и начало, и конец.  

Best Albums Ever: This Mortal Coil: It'll End In Tears

This Mortal Coil

This Mortal Coil је био британски музички пројекат основан 1983. године од стране Ива Вотса-Расела, оснивача независне издавачке куће 4AD. Пројекат је окупљао разне музичаре, често са 4AD етикете, који су сарађивали на етереалним и сновитим прерадама песама и оригиналним композицијама. Овај пројекат је познат по својим атмосферским звуковима и вокалима а издао је три албума која су добила критичке похвале: "It'll End in Tears" (1984), "Filigree & Shadow" (1986) и "Blood" (1991). 

Остао је значајан у алтернативној и гот музици.

This Mortal Coil was a British music project formed in 1983 by Ivo Watts-Russell, the founder of the independent record label 4AD. The project featured a collective of musicians, often from 4AD's roster, collaborating on ethereal, gothic, and dreamlike reinterpretations of songs and original compositions. Known for their haunting soundscapes, This Mortal Coil released three critically acclaimed albums: "It'll End in Tears" (1984), "Filigree & Shadow" (1986), and "Blood" (1991). The project remains a landmark in alternative and gothic music.

Spotifly - This Mortal Coil

Best Albums Ever: Idle Moments - Grant Green

Grant Greenov album *Idle Moments* iz 1963. godine jedno je od najcenjenijih dela u svetu džeza, poznato po svojoj melodičnoj profinjenosti i atmosferi koja uranja u mirne, gotovo kontemplativne ritmove. Green, rodom iz Sent Luisa, već je u mladosti postao jedan od najtraženijih gitarista svoje generacije, a njegov stil sviranja gitare karakterišu jasnoća tona, spontanost fraziranja i neupadljivo, ali prodorno muzičko izražavanje. Tokom 1960-ih postao je prepoznatljivo ime u Blue Note Records etiketi, gde je sarađivao sa mnogim džez veličinama. *Idle Moments* se izdvaja kao trenutak u njegovoj karijeri kada se njegova muzikalnost potpuno ostvaruje u slojevitom, meditativnom zvuku.

Naslovna numera, "Idle Moments," koja traje preko 14 minuta, odiše atmosferom mirnog popodneva, polako razotkrivajući zvučnu harmoniju između Greenove gitare, Duke Pearsonovog klavira i Joe Hendersonovog tenorskog saksofona. Sama kompozicija ostavlja prostora za dugačke improvizacije, a Greenov ton je topao, gotovo kao da šapuće, vodeći slušaoce kroz emotivnu dubinu, koja je retko prisutna u ovako sporim, produženim kompozicijama.

Pored naslovne numere, album sadrži i "Jean De Fleur" i "Django" – dve pesme koje odražavaju tehničku virtuoznost benda. Na ovim pesmama posebno dolazi do izražaja interakcija među članovima grupe: Bob Cranshaw na basu i Al Harewood na bubnjevima pružaju ritmičku podršku, ostavljajući dovoljno prostora za Pearsonov klavir i Hendersonove solističke linije. Svaka numera otkriva muzičku koheziju i umetničku hemiju, koja Greenovu gitaru postavlja u centralnu, ali skromnu ulogu – dajući glas sviračkom senzibilitetu koji balansira između melanholije i vedrine.

Album *Idle Moments* je simbol džeza koji ne žuri da impresionira, već poziva slušaoce da se prepuste spontanosti i jednostavnoj lepoti. Greenov stil, odmeren i prodoran, spaja se sa bendom u jedinstvenoj estetici koja nastavlja da inspiriše muzičare i ljubitelje džeza, evocirajući osećaj nostalgije i mira u kojem je svaki trenutak dragocen.

Grant Green's *Idle Moments*, released in 1963, is one of jazz's most acclaimed albums, renowned for its melodic refinement and an atmosphere that dives into calm, almost contemplative rhythms. Born in St. Louis, Green quickly became one of the most sought-after guitarists of his generation, known for his clear tone, spontaneous phrasing, and subtle yet profound musical expression. In the 1960s, he became a prominent figure at Blue Note Records, collaborating with many jazz greats. *Idle Moments* stands out as a moment in his career where his musicality fully blooms in a layered, meditative sound.

The title track, "Idle Moments," which lasts over 14 minutes, exudes the atmosphere of a tranquil afternoon, slowly revealing a harmonious interplay between Green's guitar, Duke Pearson's piano, and Joe Henderson's tenor saxophone. The composition itself leaves room for extended improvisation, with Green’s tone warm and whispering, guiding listeners through an emotional depth rarely present in such slow, extended compositions.

Beyond the title track, the album features "Jean De Fleur" and "Django"—two pieces that showcase the technical virtuosity of the band. In these tracks, the interaction between the band members shines: Bob Cranshaw on bass and Al Harewood on drums provide rhythmic support, leaving space for Pearson’s piano and Henderson’s solo lines. Each track reveals a musical cohesion and artistic chemistry, with Green’s guitar in a central yet modest role—giving voice to a playing sensibility that balances melancholy and brightness.

*Idle Moments* represents a jazz style that doesn’t rush to impress but invites listeners to surrender to its spontaneity and simple beauty. Green’s style, measured and poignant, merges with the band in a unique aesthetic that continues to inspire musicians and jazz enthusiasts, evoking a sense of nostalgia and peace where each moment feels precious.

Discogs - Grant Green – Idle Moments

EX EX: Ishod Na Nišanu (Ceo Album) 2023

023)

Bend Ex Ex je nastao 2008. godine u Beogradu.

Albumi : "Zyclus" (2009) "Acid" (2011), "Araks "(2014), "Enter" (2016), "Kvantni Skok" (2018), "Prašina" (2021), "U Duhu Vremena" (2021) Ishod Na Nišanu (2023) Epicentar (2023) Lotos (2024)

EX EX ::: YouTube

Best Albums Ever: J.J. Cale -Stay Around

Џон Велдон "Ј.Ј." Кејл (5. децембар 1938 — 26. јул 2013) је био амерички гитариста, певач и текстописац. Иако је избегавао да буде у центру пажње, његов утицај као музичког уметника признале су личности као што су Нил Јанг, Марк Нофлер, Вејлон Џенингс и Ерик Клептон, који га је описао као једног од најважнијих уметника у историји рока. Он је један од зачетника звука Тулса, лабавог жанра који се ослања на блуз, рокабили, кантри и џез.

John Weldon "J. J." Cale (December 5, 1938 – July 26, 2013) was an American guitarist, singer, and songwriter. Though he avoided the limelight, his influence as a musical artist has been acknowledged by figures such as Neil Young, Mark Knopfler, Waylon Jennings, and Eric Clapton, who described him as one of the most important artists in rock history. He is one of the originators of the Tulsa sound, a loose genre drawing on blues, rockabilly, country, and jazz.

Blog Premijera ::: EX EX: Ishod Na Nišanu (Ceo Album) 2023

Album je snimljen 2023-te, godine. Vokal i gitara: Sebastian Sava Gor. Bas gitara, Irena Bijelić Gorenjak. Bubnjevi, Dejan Manevski.

Best Albums Ever: If These Trees Could Talk : "The Bones of a Dying World" / post-rock

If These Trees Could Talk | Spotify

If These Trees Could Talk is an instrumental post-rock band from Akron, Ohio. The band self-released their self-titled debut EP in 2006. Independent record label The Mylene Sheath re-released the EP on vinyl in 2007 and released the band's debut studio album, Above the Earth, Below the Sky, on vinyl in 2009. The band self-released their second album, Red Forest, in March 2012, while the album's vinyl release went through Science of Silence Records. They went on to follow up the release of "Red Forest" with a self-promoted tour throughout Europe in April 2012. The band released its third album, The Bones of a Dying World, in June 2016 on Metal Blade Records.

The Bones of a Dying World

The Bones of a Dying World is the third studio album by American post-rock band If These Trees Could Talk. It was released on June 3, 2016 through Metal Blade Records. The album was produced by drummer Zack Kelly. The album was announced in late April 2016 alongside the premiere track "Solstice". Subsequently, debuted in May 2016 were tracks "Earth Crawler" and "Berlin".

Track listing

No. Title Length

1. "Solstice" 7:50

2. "Swallowing Teeth" 4:27

3. "Earth Crawler" 6:38

4. "After the Smoke Clears" 6:18

5. "The Here and Hereafter" 2:34

6. "Iron Glacier" 8:26

7. "The Giving Tree" 6:03

8. "Berlin" 4:44

9. "One Sky Above Us"

If These Trees Could Talk From Wikipedia, the free encyclopedia

- If These Trees Could Talk, Dunk! Festival Foto: Rosario López

AMAZON MUSIC:

 If These Trees Could Talk - The Bones of a Dying World

Concert Time: Pixies - Acoustic: Live in Newport (2005) Alternative rock, Indie rock, Noise pop, Punk rock, Surf rock

PIXIES

Acoustic: Live in Newport 

(2005)

The Pixies are an American alternative rock band formed in 1986 in Boston, Massachusetts. Until 2013, the band comprised Black Francis (vocals, rhythm guitar, songwriter), Joey Santiago (lead guitar), Kim Deal (bass, backing vocals) and David Lovering (drums). The band disbanded acrimoniously in 1993 but reunited in 2004. After Deal left in 2013, the Pixies hired Kim Shattuck as a touring bassist; she was replaced the same year by Paz Lenchantin, who became a permanent member in 2016.

The Pixies are associated with the 1990s alternative rock boom, and draw on elements including punk rock and surf rock. Their music is known for its dynamic "loud-quiet-loud" shifts and song structures. Francis is the Pixies' primary songwriter; his often surreal lyrics cover offbeat subjects such as extraterrestrials, incest, and biblical violence. They achieved modest popularity in the US but were more successful in Europe. Their jarring pop sound influenced acts such as Nirvana, Radiohead, the Smashing Pumpkins and Weezer. Their popularity grew in the years after their break-up, leading to a 2004 reunion and sold-out world tours.

Pixies (band)

Pixies: Acoustic: 

Live in Newport - 

Amazon.com

Top Songs - Šarlo Akrobata

Top Songs - Šarlo Akrobata

CroatiaRecordsVEVO

Šarlo Akrobata (Serbian Cyrillic: Шарло Акробата; trans. Charlot the Acrobat, a Serbo-Croatian language version of Charlie Chaplin's name in the Kingdom of Yugoslavia) were a seminal Serbian new wave/post-punk band from Belgrade. Short-lived but extremely influential, in addition to being one of the most important acts of the Yugoslav new wave scene, the three piece left an indelible mark on the entire music scene of former Yugoslavia.

Spawning from the progressive/hard rock group Limunovo Drvo (Serbian Cyrillic: Лимуново Дрво; trans. Lemon Tree), founded in 1977 by guitarist and vocalist Milan Mladenović and guitarist Dragomir Mihajlović "Gagi", after several lineup changes, moved towards new wave music, with the arrival of bassist and vocalist Dušan Kojić "Koja" and drummer Ivan Vdović "VD". After performing as an opening act for Pankrti in April 1980, Mihajlović left the band and the remaining three members changed their name to Šarlo Akrobata, after a Yugoslav nickname for actor Charlie Chaplin. Subsequently, the trio recorded four tracks which were released on the 1981 compilation album Paket aranžman, now considered to be one of the most influential releases in the history of former Yugoslav rock music. During 1981, the band released their debut album Bistriji ili tuplji čovek biva kad..., after which, owing to irreconcilable differences between the band members, the band ceased to exist. The album received critical recognition and is regarded as one of the most notable albums of former Yugoslav rock music.

After the band disbandment, Mladenović with Vdović and Mihajlović formed Katarina II, which changed its name to Ekatarina Velika after the departure of the latter two, and Kojić formed Disciplina Kičme, changing its name to Disciplin A Kitschme in 1995. In 1992, Ivan Vdović died of AIDS, followed by Milan Mladenović's death from pancreatic cancer in 1994.

Šarlo Akrobata

After the band disbandment, Mladenović with Vdović and Mihajlović formed Katarina II, which changed its name to Ekatarina Velika after the departure of the latter two, and Kojić formed Disciplina Kičme, changing its name to Disciplin A Kitschme in 1995. In 1992, Ivan Vdović died of AIDS, followed by Milan Mladenović's death from pancreatic cancer in 1994.

Šarlo Akrobata 

BISTRIJI ILI TUPLJI ČOVEK BIVA KAD… 

(Vinyl)

Music Documentaries: Rolling Stones: "Shine a Light" Martin Scorsese (2008) Rock&Roll

Home - The Rolling Stones | Official Website

Shine a Light 2008

Shine a Light is a 2008 concert film directed by Martin Scorsese documenting the Rolling Stones' 2006 Beacon Theatre performances during their A Bigger Bang Tour. The film also includes archive footage from the band's career and marked the first utilisation by Scorsese of digital cinematography for his films, with it being used for the backstage sequences. The film takes its title from the song of the same name, featured on the band's 1972 album Exile on Main St. A soundtrack album was released in April 2008 on the Universal label. This is also the last movie by Paramount Classics, as the company merged into its sister company Paramount Vantage after the movie was released.

Martin Scorsese and the Rolling Stones unite in "Shine A Light," a look at The Rolling Stones." Scorcese filmed the Stones over a two-day period at the intimate Beacon Theater in New York City in fall 2006. Cinematographers capture the raw energy of the legendary band.—alfiehitchie

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Shine a Light : Rolling Stones,

 

Scorsese, Martin 

- 

Amazon.com

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Concert Time: Bauhaus "Gotham" (1999) Post-Punk, Gothic Rock

BAUHAUS

"Gotham"

 (1999) 

Gotham is a double-disc live album by English gothic rock band Bauhaus of a concert performed in 1998, released in 1999 by record label Metropolis. The album also includes one appended studio track, a cover of "Severance", originally recorded by Dead Can Dance on their 1988 album The Serpent's Egg.

Disc one

No. Title Length

1. "Double Dare" 6:20

2. "In the Flat Field" 4:08

3. "A God in an Alcove" 4:25

4. "In Fear of Fear" 3:35

5. "Hollow Hills" 6:29

6. "Kick in the Eye" 3:48

7. "Terror Couple Kill Colonel" 3:58

8. "Silent Hedges" 3:49

9. "Severance" (Dead Can Dance cover) 7:23

10. "Boys" 4:04

11. "She's in Parties" 5:54

12. "The Passion of Lovers" 3:36

13. "Dark Entries" 3:56

Disc two

No. Title Length

1. "Telegram Sam" (T. Rex cover) 2:23

2. "Ziggy Stardust" (David Bowie cover) 3:25

3. "Bela Lugosi's Dead" 13:31

4. "All We Ever Wanted" 4:38

5. "Spirit" 5:22

6. "Severance (Studio Version)" (Dead Can Dance cover) 7:20

Personnel

Peter Murphy – vocals, guitar

Daniel Ash – guitar

David J – bass guitar

Kevin Haskins – drums

Bauhaus (band)

Bauhaus are an English rock band, formed in Northampton, England, in 1978. The group consists of Daniel Ash (guitar, saxophone), Peter Murphy (vocals, occasional instruments), Kevin Haskins (drums) and David J (bass). The band was originally named Bauhaus 1919 in reference to the first operating year of the German art school Bauhaus, although they shortened the name within a year of formation. One of the pioneers of gothic rock, Bauhaus were known for their dark image and gloomy sound, although they mixed many genres, including dub, glam rock, psychedelia, and funk.

A taping of the band's concert at the Roseland Ballroom in New York City during their 1998 reunion tour.

Bauhaus: Gotham Video 1999

Director

Edward Ryan

Gotham by Bauhaus 

(1999-05-03) - 

Amazon.com Music

Radio B92 | Emisija: "Šišmiš" Voditelj: Miomir Grujić Fleka | TROTOROCK - URBAZONA / Live Session - Božidarac 09.02.1996. Former Yugoslavia

Miomir Grujić Fleka

B92 Radio / Emisija: Šišmiš

Beogradska alternativna scena devedesetih godina. Radio B92. Radio emisija "Šišmiš". Radio voditelj Miomir Grujić Fleka. U ovoj emisiji korišćeni su živi snimci sa Koncerta u "Božidarcu" 09.12.1996. godine. Najalternativnija muzička emisija na prostorima bivše Socijalističke Federativne Republike Jugoslavije. U ovoj emisiju učestvuju:

Crni Lilihip, 

Wild Pigs and Horses, 

Pleme Džambasov, 

N.IX, 

Supernaut i drugi..,

Miomir Grujić Fleka (Šabac, 1954—Beograd, 2003) bio je magistar slikarstva i multidisciplinarni umetnik čija je umetnička praksa zastupljena u svim važnijim istorijama savremene umetnosti post-jugoslovenskog prostoraomir Grujić Fleka

Rođen je 1. juna 1954. godine u Šapcu i već kao srednjoškolac aktivno se uključuje u kulturni život grada kao član Kluba mladih stvaralaca Šapca i kolumnista u listovima Plamen, Susreti, Kolokvijumi 25. maj. Studirao pravo i slikarstvo na Fakultetu likovnih umetnosti u Beogradu, gde je diplomirao 1985. godine. Na istoj školi završio je i postdiplomske studije. Јеdan od osnivača Zavičajnog kluba studenata koji se nalazio u Domu omladine, sadašnjem Kulturnom centru Šabac. Delovanje kluba studenata vezano je za kultno mesto grada, klub Rupa, u kojem je Fleka bio progamski uredniк svih kulturnih sadržaja. 

Objavljivao literarne radove, ilustratorske priloge, tekstove, eseje iz oblasti popularne kulture, proširenih medija i teorije umetnosti. Od 1982. do 1984. godine radio kao glavni i odgovorni urednik časopisa 4F, Univerziteta umetnosti u Beogradu. Bio je član Saveza novinara Jugoslavije od 1985. do 1990. godine i član ULUS-a od 1986. godine. Tokom 1986. bio stipendista ULUS-ovog Fonda mladih. Kao student postdiplomskih studija, tokom 1987. bio stipendista Fonda za razvoj naučnog i umetničkog podmlatka Srbije.

Kao multimedijalni umetnik i novinar aktivan na javnoj sceni već od kraja sedamdesetih godina 20. veka. Bio je tvorac kluba Akademija pri FLU u Beogradu, gde je od 1983. do 1990. godine radio kao programski urednik. Od 1989. do 23. marta 1999. godine radio kao autor i urednik eksperimentalnog medijskog projekta Radio Šišmiš na radiju B92, koja postaje zaštitni znak beogradske andergraund scene. Glasanjem redakcija beogradskih radio stanica ova emisija je proglašena kao najbolji autorski radio projekat za 1990. i 1991. godinu. Savremenici su ga nazivali Vergilije devedesetih, slovenski vuk, satiričar iz podzemlja i glas andergraunda.

Max Basara

Umro je 11. jula 2003. godine u Beogradu.

Poslednji glas andergraunda: 

Aktovi Miomira Grujića Fleke

Monografija „Miomir Grujić Fleka”