уторак, 21. септембар 2021.

Исход на Нишану: "Одраз Из Огледала" | Outcome On Gunpoint: "Reflection From the Mirror" | poetry. poezija. zbirka poezije. poésie. a collection of poetry. un recueil de poésie

 



Исход На Нишану:

 "Одраз из Огледала" 


Множина се у мени пребројава...


Немилосрдно пече и горко заудара напон живаца

Потребна је нервна дисциплина

Тихо, тише најтише... 


Корачај у вуненим чарапама као тајна

Гледај игру струјног кола у нашим телима 

Лепше је од сопственог одраза из огледала.




Outcome on Gunpoint:

 "Reflection From the Mirror"


The plural in me wants to boil like water...


It burns relentlessly and stinks bitterly

Nerve tension

Nervous discipline is needed...


Quiet, quietest quietest ...


Walk-in woolen socks as a secret

Watch the game of the electric circuit in our bodies

It is more beautiful than one's own reflection in the mirror.


***


Résultat sur la cible

  " Reflet du Miroir "



Le pluriel en moi veut bouillir comme de l'eau...


Il brûle sans relâche et pue amèrement

Tension nerveuse

Une discipline nerveuse est nécessaire...


Silencieux, le plus silencieux le plus silencieux...


Chaussettes en laine sans rendez-vous comme un secret

Regardez le jeu du circuit électrique dans nos corps

C'est plus beau que son propre reflet dans le miroir.


*


Ishod Na Nišanu:

 "Odraz iz Ogledala" 



Množina se u meni prebrojava...


Nemilosrdno peče i gorko zaudara napon živaca,

Potrebna je nervna disciplina, 


Tiho, tiše najtiše... 


Koračaj u vunenim čarapama kao tajna, 

Gledaj igru strujnog kola u našim telima 

Lepše je od sopstvenog odraza iz ogledala.




photo: sebastian sava gor


Sebastian Sava Gor - YouTube

Sebastian Sava Gor (@sebastianexex) • Instagram photos ...

Sebastian Sava Gor (exexsebastian) - Profile | Pinterest



Keywords: Ishod Na Nišanu, Geometric Body ,Corps géométrique,  New Book, Nova Knjiga, Book of Poetry, Knjiga Poezije, Literature Posts, Književnost, Literatura, poetry lovers, poetry is not dead, poetry community, Thanks foCuerpo geométrico, r Readingsebastian sava gor. poezija koja diše, čitaj poeziju, smiri se poezijom, poezija koja se čita, Zbirka Poezije, Sava Gor, Poezija, poetry lovers, poetry is not dead, Book, Poetry Collection, Literatura, Literature, Literature Posts, Književnost, Knjiga Poezije, poetry, poésie, поэзия, poesie, čitaj poeziju, pesme, un livre, poésie, collection of poetry. un recueil de poésie, poetry that breathes, read poetry, calm down with poetry, poetry that is read, , poezija, poetry, read poetry, poems, a book, poetry, collection of poetry. a poetry collection, књига, поезија,себастиан Сава гор. поезија која дише, читај поезију, смири се поезијом, поезија која се чита, Збирка Поезије, Сава Гор, Поезија, љубитељи поезије, поезија није мртва, Књига, Песничка збирка, Литература, Књижевност, Књижевни постови, Књижевност, Књига Поезије, читај поезију, песме, збирка поезије. Ishod Na Nišanu, New Book, Nova Knjiga, Book of Poetry, KNjiga Poezije, LiteraturePosts, Književnost, Literatura, poetry lovers, poetry is not dead, poetry community,Тачка и Дуж, Point and Length, Point et longueur, Beloglavi Sup, Vautour fauve Ishod Na Meti: "Zbir" 21  Outcome On Target: "Sum" 21 Résultat sur la cible : "Somme" 21 Ishod Na Meti: "Zbir" 21 Ishod Na Meti: "Informacija O Zaboravljenoj Pesmi" 22 Ishod Na Meti: "Ljubav I Ludak" 23 Ishod Na Meti Termodinamička Kontrol, Ishod Na Meti: " Nezamisliv Početak, Nezamisliv Kraj" 25, Miloš Filipović - Fića & Irena Bijelić Gorenjak ( Izložba Slika - Jugoeksport ) Video: Sebastian Sava Gor / Muzika: EX EX, Ishod Na Meti: "Dilema" 26 , Outcame on Gunpoint,  "Opredeljenje Za Kontraubeđenje" 27 EX EX : I CATCH THE LAST MOMENT Ishod Na Nišanu: "U Belom" 28  Music Intermezzo  Live Session: Jazz-Rock Fusion "Between the Sun and the Moon"  Ishod Na Nišanu: "Video-Krug" 29 Ishod Na Nišanu: "So i Zemlja" 30  EX EX:  INFERIO Music Intermezzo - Live Session:Jazz-Rock Fusion "Between the Sun and the Moon" 02 "Salt and Earth" "Sel et Terre"  Outcome On Gunpoint: ""Ode To Loyalty" - Ishod Na Nišanu: "Oda O Odanosti"  EX EX: RING, RIFLE
EX EX : PRSTEN, PUŠKA  EYESBURN - SUDDEN FALL Outcome On Gunpoint: "Gems" - Ishod Na Nišanu: "Drago Kamenje" Outcome On Gunpoint: "Obscenity" - Ishod Na Nišanu: "Opscena"  Book: The Kis Of The Dragon Woman - Song: "Now the Bells Will Tell You - Its Dawn" Knjiga: Poljubac Žene Zmaja - Pesma: "Sada će ti zvona reći - Jutro Je" Livre : Le baiser de la femme dragon - Chanson : "Maintenant, les cloches vous diront - Son aube" Исход на Нишану: "Одраз Из Огледала" | Outcome On Gunpoint: "Reflection From the Mirror"


понедељак, 20. септембар 2021.

Movies by Books 04 ::: Rosemary's Baby (1967) horror . dark humor . humour noir



Rosemary's Baby / Book


Rosemary's Baby is a 1967 horror novel by American writer Ira Levin; it was his second published book. It sold over 4 million copies, "making it the top bestselling horror novel of the 1960s. The high popularity of the novel was a catalyst for a "horror boom", and horror fiction would achieve enormous commercial success.




Author Ira Levin
Country United States
Language English


Genre Horror
Publisher Random House
Publication date March 12, 1967
Media type Print (hardcover and paperback) and Audio Book




Rosemary's Baby / Movie

Rosemary's Baby is a 1968 American psychological horror film written and directed by Roman Polanski, and starring Mia Farrow, John Cassavetes, Ruth Gordon, Sidney Blackmer, Maurice Evans, Ralph Bellamy, Angela Dorian, Clay Tanner, and, in his feature film debut, Charles Grodin. The film follows a young, pregnant wife in Manhattan who comes to suspect that her elderly neighbors are members of a Satanic cult, and are grooming her in order to use her baby for their rituals. It is based on the 1967 novel of the same name by Ira Levin.

Rosemary's Baby deals with themes related to paranoia, women's liberation, Christianity (Catholicism), and the occult.[3] The film earned almost universal acclaim from film critics and won numerous nominations and awards. It is widely regarded as one of the greatest horror movies of all time. In 2014, the film was selected for preservation in the National Film Registry by the Library of Congress, being deemed "culturally, historically, or aesthetically significant."

Directed by Roman Polanski
Screenplay by Roman Polanski
Based on Rosemary's Baby
by Ira Levin
Produced by William Castle

     Starring:

Mia Farrow
John Cassavetes
Ruth Gordon
Sidney Blackmer
Maurice Evans
Ralph Bellamy

Cinematography William A. Fraker
Edited by
Sam O'Steen
Bob Wyman
Music by Krzysztof Komeda


Production company
William Castle Enterprises
Distributed by Paramount Pictures


Release date
June 12, 1968
Running time 136 minutes
Country United States
Language English





Rosemary Woodhouse and her struggling actor husband Guy move into the Bramford, an old New York City apartment building with an ominous reputation and mostly elderly residents.  As the sickened Rosemary becomes increasingly isolated, she begins to suspect that the Castavets' circle is not what it seems . . .






Розмарина беба Original title: Rosemary's Baby 1968





 Neighbors Roman and Minnie Castavet soon come nosing around to welcome the Woodhouses to the building, and despite Rosemary's reservations about their eccentricity and the weird noises that she keeps hearing, her husband takes a special shine to them. 




 Shortly after Guy lands a plum Broadway role, Rosemary becomes pregnant, and the Castavets start taking a special interest in her welfare.  As the sickened Rosemary becomes increasingly isolated, she begins to suspect that the Castavets' circle is not what it seems . . .



Horrifying and darkly comic, Rosemary’s Baby was Roman Polanski’s Hollywood debut. This wildly entertaining nightmare, faithfully adapted from Ira Levin’s best seller, stars a revelatory Mia Farrow as a young mother-to-be who grows increasingly suspicious that her overfriendly elderly neighbors (played by Sidney Blackmer and an Oscar-winning Ruth Gordon) and self-involved husband (John Cassavetes) are hatching a satanic plot against her and her baby. In the decades of occult cinema that Polanski’s ungodly masterpiece has spawned, it has never been outdone for sheer psychological terror. 




Horror fans are unlike any other breed of cinephile. We go to great lengths to unearth little known facts about our favorite feature films. Because of that, it’s a challenge to find trivia that will pass fact checking and surprise dedicated fans. But, in spite of that, we have taken it upon ourselves to attempt to unearth some lesser-known details about Roman Polanski’s classic horror film Rosemary’s Baby. Read on for the top ten things you probably didn’t know about Rosemary’s Baby. Jane Fonda was reportedly approached to play Rosemary.



Bela Mačka: "Glup Čovek" 13 - Zbirka Poezije | Poetry Collection | Recueil de poésie | poezija | poetry | poésie

 



Bela Mačka: "Glup  Čovek"



Kako si se to probudio?


Kako si to oči otvorio?


Zaspao si ti to budan ponovo!


Nakinđureni luster je pao, ti to nisi ni primetio,


Nije čudno i samo da znaš...


I kamen nešto pamti i ne oseća!


Dovoljno je bilo par jutarnjih, nakaradnih reči,


Da se dosta toga desi, samo i samo u međuvremenu,


Tebi iza leđa,


I u svakom slučaju, zato što dok hodaš napred, misliš unazad,


Kako si se to probudio i šta si to rekao?!


Nešto je tu balavo i smrdljivo,


Vidi… u saksiju si zgazio, biljku si ubio, blato po kući razneo,

Ništa od svega nisi ni primetio...


Glup si ti, čovek, jako glup, moj čoveče...




glup čovek - sebastian sava gor - digitalni crtež


недеља, 19. септембар 2021.

Best Albums Ever: Magazine - Real Life (1978) post punk . new wave . art rock




Real Life (Magazine album)



Real Life is the debut studio album by English rock band Magazine. It was released in June 1978 by record label Virgin. The album includes the band's debut single "Shot by Both Sides", and was also preceded by the non-album single "Touch and Go", a song from the album's recording sessions. Real Life has received critical acclaim and is considered a pioneering post-punk record. It has also been described as new wave and art rock.




Real Life (Magazine album)

Released June 1978
Recorded March–April 1978
Studio Virgin Mobile and Abbey Road Studios, London
Genre
Post-punknew waveart rock
Length 41:24
Label Virgin
Producer John Leckie


Magazine were an English post-punk band active from 1977 to 1981, then again from 2009 to 2011. The band was formed by Howard Devoto after leaving punk band Buzzcocks in early 1977. Devoto had decided to create a more progressive and less "traditional" rock band.






Magazine reunited in 2009 for a UK tour, with almost all the remaining members of the "classic" lineup, with the exception of guitarist John McGeoch, who died in 2004. He was replaced by Noko, who had played with Devoto in Luxuria. Magazine released an album of new material, No Thyself, in October 2011, followed by a short UK tour.



Origin Manchester, England
Genres Post-punk new wave art rock
Years active 1977 –


https://commons.wikimedia.org/wiki/File:Magazine_(English_band).jpg














субота, 18. септембар 2021.

Mijalko Đunisijević - "Ikona i Tvorevina" 01 - Tekst: Slobodan R. Nikolić: "Božanska Prosvetljenost u Ljudskom Srcu" - Teologija, Theology, Théologie, Teología

 


Mijalko Đunisijević - Ikona i Tvorevina

01

"Икона није портрет, него прволик будућег храмовног човечанства."

(кнез Јевгениј Трубецкој)


Бог има мноштво говора којима општи са својом творевином. Један од њих је осмишљен да према твари струји уз помоћ слика. Али, како се он обраћа свету, човеку поглавито, који би требало да Му постане син по духу? Према светоотачком схватању, када је створио човека, обдарио га је слободном вољом, коју чак ни Он Сам више не може да наруши. И управо то не смемо да испустимо из вида (а ипак редовно чинимо!) - да смо створени и да је било кад нас није било. Окушана слободна воља је узрочник порива ка трулежи и не-бићу, тј. ништавилу, а неискушана воља Господња је завет вечног битија. О обе те стране нашег сазданог бића приповеда свака икона која живи пред нама као предизобразителни символ Тројичног Царства.



Термин символ од првобитног значења документ, обележје распознавања, легитимација, у философији новоплатонизма добија значење појавнога облика у којем спознајемо божански битак. Тако он није више означавао било који знак него само онај у којем долази до метафизичког споја видљивог с невидљивим. Гете и Кант су у њему увиђали неограничено и неисцрпно идејно залеђе, за разлику од тачне појмовне одредивости алегорије. Символ није сушто бића, већ само назнака његове скривености, оно што су Божанске енергије Пресвете Тројице, али никако Његова природа, само смер којим би се издалека требало запутити барем ка наслућивању Логоса (Њега не морамо нужно ни разумети, а још мање усвојити, што је могућност неусловљене слободе којом смо даровани), делови који упућују на целовитост онога на шта се односе, али суштаствено никако то на шта се односи, већ нешто као огртач тела, атрибут бића о којем донекле муцаво проговара. 



„... Палама […] дели символе на две категорије: на оне који долазе од природе онога што символишу и оне који су туђи природи онога што символишу. […] Карактеристично обележје символа који долази од природе онога што символише јесте чињеница да он увек сапостоји са оним што символише, јер, као што смо то већ видели, долази од природе онога што символише. С друге стране, символ који не долази од природе онога што символише, или постоји независно или се, пак, јавља тренутно и потом нестаје, немајући никакав суштински однос са оним што символише. 



Символ je, за Паламу, или одблесак суштине онога што се њиме символише или, пак, нешто што je потпуно туђе ономе што символише и онда се користи једино као конвенционални знак. По платонистичкој и платонизујућој традицији, пак, могуће je да символ, као слика архетипске идеје, има блиски и непосреднији однос са архетипом. […] 


Али, овај став, сличан ономе који је заступао Варлаам, не може да се помири са Паламиним учењем о нествореној светлости као символу Божанске славе, јер такав став поново своди сам символ на категорију створених ствари.







The Movie, Lesson About Life - 38: "Остров" (2006) - Drama





The Island (Russian: Остров, romanized: Ostrov) is a 2006 Russian film about a fictional 20th century Eastern Orthodox monk. The film closed the 2006 Venice Film Festival, proved to be a moderate box-office success and won both the Nika Award and the China TV Golden Eagle Award as the Best Russian film of 2006. The filming location was the city of Kem, in Karelia, on the shores of the White Sea. It received generally positive reviews from critics.

The film is focused on father Anatoly's repentance of his sin (therefore the virtually continuous occurrence of the Jesus Prayer); but the transgressions of the depicted character (a fool for Christ) and their impact on the others are the means by which the actual plot develops. The film's director Pavel Lungin, speaking of the central character's self-awareness, said he doesn't regard him as being clever or spiritual, but blessed "in the sense that he is an exposed nerve, which connects to the pains of this world. His absolute power is a reaction to the pain of those people who come to it;" while "typically, when the miracle happens, the lay people asking for a miracle are always dissatisfied" because "the world does not tolerate domestic miracles."


Screenwriter Dmitry Sobolev further explains: "When a person asks God for something, he is often wrong because God has a better understanding of what a person needs at that moment."[1] Pyotr Mamonov, who plays the lead character, formerly one of the few rock musicians in the USSR, converted to Eastern Orthodoxy in the 1990s and lives now in an isolated village. Pavel Lungin said about him that "to a large extent, he played himself." Mamonov received a blessing from his confessor for playing the character.

The former Patriarch of Moscow, Alexei II (who held the office from 1990-2008), praised Ostrov for its profound depiction of faith and monastic life, calling it a "vivid example of an effort to take a Christian approach to culture."




Остров
Directed by Pavel Lungin
Written by Dmitry Sobolev
Produced by Pavel Lungin
Sergei Shumakov
Olga Vasilieva
Starring Petr Mamonov
Viktor Sukhorukov
Dmitri Dyuzhev
Cinematography Andrei Zhegalov
Music by Vladimir Martynov
Distributed by Pavel Lungin's Studio
Release date
2006
Running time 112 minutes
Country Russia
Languages. Russian, German

петак, 17. септембар 2021.

Best Albums Ever: John Lee Hooker "The Healer" (1989) Blues, blues rock



John Lee Hooker "The Healer" 

The Healer is a blues album by John Lee Hooker, released in 1989 by Chameleon Music Group Chameleon. The album features collaborations with Bonnie Raitt, Charlie Musselwhite, Los Lobos and Carlos Santana, among others. The Healer peaked at number 62 on the Billboard 200 and "I'm in the Mood" won the Grammy Award for Best Traditional Blues Performance. Produced by Roy Rogers of the Delta Rhythm Kings, and executive produced by Mike Kappus[6] (who conceived the idea for the project), and Stephen Powers, founder and President of Chameleon Records. Powers and Kappus knew each other from the music business in Wisconsin — Rosebud Agency was originally based in Milwaukee, and Powers' label, Mountain Railroad Records, was headquartered in Madison. Chameleon had recently acquired Vee-Jay Records and reissued Hooker's numerous albums for Vee-Jay, plus a "Best of" compilation of Hooker's early entitled "The Hook."

The video for "The Healer" featuring Carlos Santana and John Lee Hooker was filmed in the Chameleon warehouse in Hawthorne, CA amidst stacks of Hooker's old vinyl LPs, and live on stage at "The Palace," a Hollwood nightclub across from Capitol Records on Vine St. John Lee Hooker was 73 years of age when the album was released. It was his first Grammy win. The album had such success that it "permitted John Lee Hooker to live out the end of his life in comfort".[7] Powers recounts with joy sending a large royalty check to Hooker, and the deep gratitude he felt for the opportunity to help him to finally achieve the recognition he deserved.

It was voted number 424 in the third edition of Colin Larkin's All Time Top 1000 Albums (2000)



John Lee Hooker (August 22, 1912 or 1917 – June 21, 2001) was an American blues singer, songwriter, and guitarist. The son of a sharecropper, he rose to prominence performing an electric guitar-style adaptation of Delta blues. Hooker often incorporated other elements, including talking blues and early North Mississippi Hill country blues. He developed his own driving-rhythm boogie style, distinct from the 1930s–1940s piano-derived boogie-woogie. Hooker was ranked 35 in Rolling Stone's 2015 list of 100 greatest guitarists.

Some of his best known songs include "Boogie Chillen'" (1948), "Crawling King Snake" (1949), "Dimples" (1956), "Boom Boom" (1962), and "One Bourbon, One Scotch, One Beer" (1966). Several of his later albums, including The Healer (1989), Mr. Lucky (1991), Chill Out (1995), and Don't Look Back (1997), were album chart successes in the U.S. and UK. The Healer (for the song "I'm In The Mood") and Chill Out (for the album) both earned him Grammy wins[7][8] as well as Don't Look Back, which went on to earn him a double-Grammy win for Best Traditional Blues Recording and Best Pop Collaboration with Vocals (with Van Morrison).








John Lee Hooker, Carlos Santana, The Santana Band* The Healer 5:36
–John Lee Hooker, Bonnie Raitt I'm In The Mood 4:30
–John Lee Hooker, Robert Cray Baby Lee 3:43
–John Lee Hooker, Canned Heat Cuttin' Out 4:35
–John Lee Hooker, Los Lobos Think Twice Before You Go 2:58
–John Lee Hooker, George Thorogood Sally Mae 3:15
–John Lee Hooker, Charlie Musselwhite That's Alright 4:23
–John Lee Hooker Rockin' Chair 4:09
–John Lee Hooker My Dream 4:02
–John Lee Hooker No Substitute 4:07








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Sebastian Sava Gor: O Dostojevskom: "Život kao roman - roman kao ispovest"

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