среда, 18. август 2021.

Spontano Sagorevanje: Pustolov ::: Spontaneous Combustion: Great Adventurer // Književnost. Literatura. Knjiga. Literature. Book| Zbirka Kratkih Priča | kratka priča, short story, histoire courte, nadrealizam, teatar apsurda, surréalisme. théâtre de l'absurde, theater of the absurd, iracionalizam, avantgarde, avangarda, irrationalism, irrationalisme



Spontano Sagorevanje: Iza Ogledala ::: Spontaneous Combustion: Great Adventurer // Književnost. Literatura. Knjiga. Literature. Book| Zbirka Kratkih Priča |  kratka priča, short story, histoire courte, nadrealizam, teatar apsurda, surréalisme. théâtre de l'absurde, theater of the absurd, iracionalizam, avantgarde, avangarda, irrationalism, irrationalisme




PUSTOLOV

Pusta je bila poslednja pustolovina, velikog pustolova. Kroz pustinju i prašumu, preko planina i zaleđenih površina, preko mora i okeana, pusto je pretraživao i u njima… Hodao je livadama, tundrama, stepama i savanama, odmarao se u oazama... sve ukrug i to triput! Ništa... ništa, od onoga što je on hteo i što je tražio, nije našao. Umoran od svega, seo je na sred pustinje i duboko se zamislio... 

Do njega je doleteo lešinar i rekao: "Znaš šta... ja sam ti sve uzeo, zato nisi ništa našao...". Pustolov ustade besan kao pas i taman da ujede lešinara ali ovaj odleprša...

Pustolov više nije znao šta da radi od muke... nabio je glavu u pesak ali su mu pritom spale pantalone i gaće. On izvuče glavu iz peska, pljunu, zateže kaiš pa ponovo zabode glavu u pesak...







Spontano Sagorevanje: Iza Ogledala ::: Spontaneous Combustion: Great Adventurer // Književnost. Literatura. Knjiga. Literature. Book| Zbirka Kratkih Priča |  kratka priča, short story, histoire courte, nadrealizam, teatar apsurda, surréalisme. théâtre de l'absurde, theater of the absurd, iracionalizam, avantgarde, avangarda, irrationalism, irrationalisme




Great Adventurer

The desert was the last adventure of a great adventurer. Through deserts and rainforests, over mountains and frozen surfaces, over seas and oceans, he searched the wilderness and in them... He walked through meadows, tundras, steppes, and savannahs, rested in oases... all around and three times! Nothing... nothing of what he wanted and what he was looking for he found. Tired of everything, he sat down in the middle of the desert and thought deeply. A vulture walked up to him and told him: "You know what I took everything from you, that's why you didn't find anything". Pustolov got up, furious as a dog, and was about to bite the vulture, but the vulture flew away...

Pustolov no longer knew what to do with the pain. He threw up and buried his head in the sand, but his pants and underpants burned in the process. He pulls his head out of the sand, spits, tightens his belt, and sticks his head in the sand again...

Best Albums Ever: UB40: "Signing Off" - reggae pop dub


Signing Off is the debut album by British reggae band UB40, released in the UK on 29 August 1980 by Dudley-based independent label Graduate Records. It was an immediate success in their home country, reaching number 2 on the UK albums chart, and made UB40 one of the many popular reggae bands in Britain, several years before the band found international fame. The politically-concerned lyrics struck a chord in a country with widespread public divisions over high unemployment, the policies of the recently elected Conservative party under Margaret Thatcher, and the rise of the racist National Front party, while the record's dub-influenced rhythms reflected the late 1970s influence in British pop music of West Indian music introduced by immigrants from the Caribbean after the Second World War, particularly reggae and ska – this was typified by the 2 Tone movement, at that point at the height of its success and led by fellow West Midlands act The Specials, with whom UB40 drew comparisons due to their multiracial band line-up and socialist views. Still considered by many fans and music critics to be UB40's best album, Signing Off was reissued for its 30th anniversary in 2010 as a "collector's edition" containing bonus tracks and a DVD of the videos for the singles plus television footage of the band from the time of the album's release.




UB40 are an English reggae and pop band, formed in December 1978 in Birmingham, England. The band has had more than 50 singles in the UK Singles Chart, and has also achieved considerable international success. They have been nominated for the Grammy Award for Best Reggae Album four times, and in 1984 were nominated for the Brit Award for Best British Group.[1] UB40 have sold over 70 million records worldwide.[2] The ethnic make-up of the band's original line-up was diverse, with musicians of English, Welsh, Irish, Jamaican, Scottish, and Yemeni parentage. Their hit singles include their debut "Food for Thought" and two Billboard Hot 100 number ones with "Red Red Wine" and "Can't Help Falling in Love". Both of these also topped the UK Singles Chart, as did the band's version of "I Got You Babe". Their two most successful albums, Labour of Love (1983) and Promises and Lies (1993), reached number one on the UK Albums Chart. UB40 and the English ska band Madness hold the record for most weeks spent by a group in the UK singles chart during the 1980s, with 214 weeks each. The band's line-up was stable for nearly 29 years, from March 1979 until January 2008, when frontman Ali Campbell left the band, followed shortly thereafter by keyboardist Mickey Virtue. Another member, Astro, remained with the band until November 2013, when he departed the original band to team up with Campbell and Virtue in a new version of UB40. In 2014, legal advice was sought by the original band (now consisting of remaining co-founding members drummer Jimmy Brown, guitarist Robin Campbell, bassist Earl Falconer, percussionist Norman Hassan, and saxophonist Brian Travers, along with new vocalist Duncan Campbell) who took action against the group containing Campbell, Virtue, and Astro over usage of the band name, due to it being used by both parties. On 5 July 2021, it was announced that Matt Doyle (formerly of the reggae band KIOKO) would become the band’s new vocalist following Duncan Campbell’s retirement due to ill health...







уторак, 17. август 2021.

The Movie, Lesson About Life - 35 / Le Fantôme De La Liberté akaThe Phantom of Liberty aka Fantom Slobode (1974) by Luis Buñuel - black comedy - nadrealizam - surrealism - surréalisme


The Phantom of Liberty 

(French: Le Fantôme de la liberté) is a 1974 surrealist comedy film by Luis Buñuel, produced by Serge Silberman and starring Adriana Asti, Julien Bertheau and Jean-Claude Brialy. It features a non-linear plot structure that consists of various otherwise unrelated episodes linked only by the movement of certain characters from one situation to another and exhibits Buñuel's typical ribald satirical humor combined with a series of increasingly outlandish and far-fetched incidents intended to challenge the viewer's pre-conceived notions about the stability of social mores and reality.


 Directed by:  Luis Buñuel
Written by:  Luis Buñuel, Jean-Claude Carrière
Produced by: Serge Silberman

Starring:

Adriana Asti
Julien Bertheau
Jean Rochefort
Jean-Claude Brialy
Michel Piccoli

Cinematography: Edmond Richard
Edited by Hélène Plemiannikov

Production company Greenwich Film Productions
Distributed by 20th Century Fox
Release date 11 September 1974 (France)
23 November 1974 (Italy)
Running time 104 minutes
Countries: France / Italy
Language:  French








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LUIS BUÑUEL
The Phantom of Liberty

Luis Buñuel’s vision of the inherent absurdity of human social rituals reaches its taboo-annihilating extreme in what may be his most morally subversive and formally audacious work. Zigzagging across time and space, from the Napoleonic era to the present day, The Phantom of Liberty unfolds as a picaresque, its characters traveling between tableaux in a series of Dadaist non sequiturs. Unbound by the laws of narrative logic, Buñuel lets his surrealist’s id run riot in an exuberant revolt against bourgeois rationality that seems telegraphed directly from his unconscious to the screen.




Ishod Na Nišanu: "Oko Početka, Oko Kraja" - Outcome On Gunpoint: Eye of Beginning, Eye of End / Zbirka Poezije | poezija | poetry | poésie


Oko Početka, Oko Kraja 


U silini nasilja, postoji put

Samo za tebe sakriven...

*

Ti si sjajna, uvek zahvalna

Znaš da veličanstvenost beskraja

Sada čami u tami ogledala.

Misliš o muzici dodira i lepoti zagrljaja

Idi dalje...

Kroz prašumu insekata

Preko planina starih mamuta

U društvu dobrih vilenjaka

Kroz zidove umova

Gde će biti teško

Tu hodaj na prstima

Završi snažno

Sa svežim uzdahom

Nekog davno zaboravljenog vazduha.

 *

Ja već vidim da si stigla 

Kako sada stojiš, sasvim nova

Kao tek stvorena.






Outcome On Gunpoint: Eye of Beginning, Eye of End


In the force of violence, there is a way
Hidden just for you ...

*

You are great, always grateful
You know the majesty of infinity
Now lurk in the darkness of the mirror.
You think about the music of touch and the beauty of hugs
Go further...
Through the rainforest of insects
Across the mountains of old mammoths
In the company of good elves
Through the walls of the mind
Where it will be difficult
Walk on your toes there
Finish hard
With a fresh sigh of some long-forgotten air.

  *

I already see you've arrived
As you stand now, brand new
As just created.


EX EX : ENTER / Ceo Album - Full Album






Autour du début, autour de la fin



Dans la force de la violence, il y a un moyen
Caché rien que pour vous...

*

Tu es génial, toujours reconnaissant
Tu connais la majesté de l'infini
Maintenant, cachez-vous dans l'obscurité du miroir.
Tu penses à la musique du toucher et à la beauté des câlins
Aller plus loin...
A travers la forêt tropicale d'insectes
À travers les montagnes des vieux mammouths
En compagnie de bons elfes
À travers les murs de l'esprit
Où ce sera difficile
Marchez sur vos orteils là-bas
Finir dur
Avec un nouveau soupir d'air oublié depuis longtemps.

  *

Je vois déjà que tu es arrivé
Comme vous vous tenez maintenant, tout neuf
Comme il vient d'être créé.





петак, 13. август 2021.

EPICENTAR: Nervni Slom | Epicenter: Nervous Breakdown | Épicentre: Dépression Nerveuse / Эпицентр: Нервный Срыв | поезија. poezija. poetry. poésie. поэзия





Нервни Слом



 Махнити људождер лута пустињом

Спремала се тешка временска непогода


Он се молио, дрхтао и плакао читаву ноћ

Сакривен у крошњи баобаба


Дан је донео заслепљујућу врелину

Са свих страна цурила је маст

Пустиња се злокобно хвалила белим костима

Шкорпијама, змијама и јатима лешинара


Малаксало је тело

Запалио се ум

И да ли је привиђење или спасење

Заиста чудна појава

Бела, боса девојка и камила

Као да је срце престало да куца

Одмах затим нешто као нервни слом.






English Translation

Nervous Breakdown
by Sebastian Sava Gor

A frenzied cannibal roams the desert,
A heavy storm was brewing.

He prayed, trembled, and wept all through the night,
Hidden in the branches of a baobab tree.

The day brought a blinding heat,
Fat dripping from every side.
The desert ominously boasted of white bones,
Scorpions, snakes, and flocks of vultures.

His body grew frail,
His mind ignited.
And whether a mirage or salvation,
A truly strange apparition...

A white, barefoot girl and a camel...
As if his heart ceased to beat,
And then, suddenly—something like a nervous breakdown.



Russian Translation

Нервный Срыв
Себастиан Сава Гор

Безумный каннибал бродит по пустыне,
Надвигалась сильная буря.

Он молился, дрожал и плакал всю ночь,
Спрятавшись в ветвях баобаба.

День принес ослепляющую жару,
Со всех сторон капал жир.
Пустыня зловеще хвасталась белыми костями,
Скорпионами, змеями и стаями стервятников.

Тело обессилело,
Разум вспыхнул.
И видение или спасение —
Поистине странное явление...

Белая, босая девушка и верблюд...
Как будто сердце перестало биться,
А затем вдруг—что-то вроде нервного срыва.




French Translation

Crise Nerveuse
par Sebastian Sava Gor

Un cannibale frénétique erre dans le désert,
Une violente tempête se préparait.

Il priait, tremblait et pleurait toute la nuit,
Caché dans les branches d’un baobab.

Le jour a apporté une chaleur aveuglante,
La graisse dégoulinait de toutes parts.
Le désert se vantait sinistrement de ses os blanchis,
De ses scorpions, serpents et nuées de vautours.

Le corps s’est affaibli,
L’esprit s’est embrasé.
Et, mirage ou salut,
Une apparition vraiment étrange...

Une fille blanche, pieds nus, et un chameau...
Comme si son cœur s’était arrêté,
Et soudain—quelque chose comme une crise nerveuse.






EX EX : ILi Hoćeš Ti?







Best Albums Ever: Violent Femmes - Violet Femmes (1983) post-punk, alternative rock

Violent Femmes are an American folk punk band from Milwaukee, Wisconsin. The band consists of founding members Gordon Gano (guitar, lead vocals) and Brian Ritchie (bass, backing vocals), joined by multi-instrumentalist Blaise Garza (joined 2004), and drummer John Sparrow (joined 2016). Former members of the band include drummers Victor DeLorenzo (1980–1993, 2002–2013), Guy Hoffman (1993–2002), and Brian Viglione (2013–2016).  Violent Femmes have released ten studio albums and 15 singles during the course of their career. The band found immediate success with the release of their self-titled debut album in early 1983. Featuring many of their well-known songs, including "Blister in the Sun", "Kiss Off", "Add It Up" and "Gone Daddy Gone", Violent Femmes became the band's biggest-selling album and was eventually certified platinum by the RIAA. Violent Femmes went on to become one of the most successful alternative rock bands of the 1980s, selling more than 9 million albums by 2005. After the release of their third album The Blind Leading the Naked (1986), the band's future was uncertain and they split up in 1987, when Gano and Ritchie went solo. However, they regrouped a year later, releasing the album 3 (1989). Their fifth album Why Do Birds Sing? (1991) contains the fan favorite and concert staple "American Music". In 1993, founding drummer Victor DeLorenzo left the band, and the band released the compilation album Add It Up (1981–1993), while their 1994 album New Times introduce new drummer Guy Hoffman to the lineup. A number of albums were released with this lineup throughout the 1990s, then DeLorenzo rejoined the band in 2002 for what was to be a farewell tour. The band stopped releasing new albums, though a number of compilation albums were released in the early 2000s, along with a few one-off songs. Some controversy over the licensing of the band's songs for commercial use led to an official break-up in 2009, though the band re-formed in 2013, and have since released two more studio albums of new material: We Can Do Anything (2016) and Hotel Last Resort (2019).






Violent Femmes is the band's most successful album to date. It went gold four years after its release and platinum four years after that despite never having appeared on the Billboard 200 album chart. After achieving platinum certification on February 1, 1991, the album finally charted for the first time on August 3, 1991, and peaked at #171. Since Nielsen Music began electronically tracking sales in 1991, the album has sold 1.8 million copies. Blending RIAA certifications and Nielsen Music sales data, the record's American sales were estimated at three million as of 2016. Slant Magazine listed the album at No. 21 on its list of "Best Albums of the 1980s"[9] and was ranked number 974 in All-Time Top 1000 Albums (third edition, 2000).[10] In 2014, the staff of PopMatters included the album on their list of "12 Essential Alternative Rock Albums from the 1980s."

четвртак, 12. август 2021.

Ishod Na Meti: "Privremeno Utočište" - 13 / Zbirka Poezije | poezija | poetry | poésie

 

Privremeno Utočište

*

Šina je popustila i kamen je oronuo,

Voz u kome si se vozila nije iskočio…

Dok te nisam video gađao sam kamenom, svaku žicu koju sam video 

Nijedan zvonki zvuk nije dosegao do neba koje sam tako bezgranično voleo

Cirostratusi ili autokumulusi

Bilo kakvi, nisam ni sanjao da su svi bili tvoji…

 *

Ona noć kada sam te upoznao, tražila je dnevno svetlo

Nešto se važno čekalo, puno toga se dogodilo

Sećam se kada su nas posetili leteći korali sa ljubičastim očima,

Bilo je čudno kako su lako kroz nas prolazili…

 *

Sva putovanja su se završila na jednom mestu

To mesto je sada naše privremeno utočište

Naš privremeni dom

Tu čekamo

Sve će se odigrati veoma brzo a nama nepojmljivo...




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