Spontano Sagorevanje: Pustolov ::: Spontaneous Combustion: Great Adventurer // Književnost. Literatura. Knjiga. Literature. Book| Zbirka Kratkih Priča | kratka priča, short story, histoire courte, nadrealizam, teatar apsurda, surréalisme. théâtre de l'absurde, theater of the absurd, iracionalizam, avantgarde, avangarda, irrationalism, irrationalisme

PUSTOLOV

Pusta je bila poslednja pustolovina, velikog pustolova. Kroz pustinju i prašumu, preko planina i zaleđenih površina, preko mora i okeana, pusto je pretraživao i u njima… Hodao je livadama, tundrama, stepama i savanama, odmarao se u oazama... sve ukrug i to triput! Ništa... ništa, od onoga što je on hteo i što je tražio, nije našao. Umoran od svega, seo je na sred pustinje i duboko se zamislio... 

Do njega je doleteo lešinar i rekao: "Znaš šta... ja sam ti sve uzeo, zato nisi ništa našao...". Pustolov ustade besan kao pas i taman da ujede lešinara ali ovaj odleprša...

Pustolov više nije znao šta da radi od muke... nabio je glavu u pesak ali su mu pritom spale pantalone i gaće. On izvuče glavu iz peska, pljunu, zateže kaiš pa ponovo zabode glavu u pesak...

draw: sebastian sava gor

Great Adventurer

The desert was the last adventure of a great adventurer. Through deserts and rainforests, over mountains and frozen surfaces, over seas and oceans, he searched the wilderness and in them... He walked through meadows, tundras, steppes, and savannahs, rested in oases... all around and three times! Nothing... nothing of what he wanted and what he was looking for he found. Tired of everything, he sat down in the middle of the desert and thought deeply. A vulture walked up to him and told him: "You know what I took everything from you, that's why you didn't find anything". Pustolov got up, furious as a dog, and was about to bite the vulture, but the vulture flew away...

Pustolov no longer knew what to do with the pain. He threw up and buried his head in the sand, but his pants and underpants burned in the process. He pulls his head out of the sand, spits, tightens his belt, and sticks his head in the sand again...

Best Albums Ever: UB40: "Signing Off" - reggae pop dub

Signing Off is the debut album by British reggae band UB40, released in the UK on 29 August 1980 by Dudley-based independent label Graduate Records. It was an immediate success in their home country, reaching number 2 on the UK albums chart, and made UB40 one of the many popular reggae bands in Britain, several years before the band found international fame. The politically-concerned lyrics struck a chord in a country with widespread public divisions over high unemployment, the policies of the recently elected Conservative party under Margaret Thatcher, and the rise of the racist National Front party, while the record's dub-influenced rhythms reflected the late 1970s influence in British pop music of West Indian music introduced by immigrants from the Caribbean after the Second World War, particularly reggae and ska – this was typified by the 2 Tone movement, at that point at the height of its success and led by fellow West Midlands act The Specials, with whom UB40 drew comparisons due to their multiracial band line-up and socialist views. Still considered by many fans and music critics to be UB40's best album, Signing Off was reissued for its 30th anniversary in 2010 as a "collector's edition" containing bonus tracks and a DVD of the videos for the singles plus television footage of the band from the time of the album's release.

UB40: "Signing Off"

UB40 are an English reggae and pop band, formed in December 1978 in Birmingham, England. The band has had more than 50 singles in the UK Singles Chart, and has also achieved considerable international success. They have been nominated for the Grammy Award for Best Reggae Album four times, and in 1984 were nominated for the Brit Award for Best British Group.[1] UB40 have sold over 70 million records worldwide.[2] The ethnic make-up of the band's original line-up was diverse, with musicians of English, Welsh, Irish, Jamaican, Scottish, and Yemeni parentage. Their hit singles include their debut "Food for Thought" and two Billboard Hot 100 number ones with "Red Red Wine" and "Can't Help Falling in Love". Both of these also topped the UK Singles Chart, as did the band's version of "I Got You Babe". Their two most successful albums, Labour of Love (1983) and Promises and Lies (1993), reached number one on the UK Albums Chart. UB40 and the English ska band Madness hold the record for most weeks spent by a group in the UK singles chart during the 1980s, with 214 weeks each. The band's line-up was stable for nearly 29 years, from March 1979 until January 2008, when frontman Ali Campbell left the band, followed shortly thereafter by keyboardist Mickey Virtue. Another member, Astro, remained with the band until November 2013, when he departed the original band to team up with Campbell and Virtue in a new version of UB40. In 2014, legal advice was sought by the original band (now consisting of remaining co-founding members drummer Jimmy Brown, guitarist Robin Campbell, bassist Earl Falconer, percussionist Norman Hassan, and saxophonist Brian Travers, along with new vocalist Duncan Campbell) who took action against the group containing Campbell, Virtue, and Astro over usage of the band name, due to it being used by both parties. On 5 July 2021, it was announced that Matt Doyle (formerly of the reggae band KIOKO) would become the band’s new vocalist following Duncan Campbell’s retirement due to ill health...

UB40 - Signing Off - Amazon.com Music. ... 

I have heard my share of reggae owning 300+ albums, 

and after 5 full listens I would have to say this is one of ...

The Movie, Lesson About Life - 35 / Le Fantôme De La Liberté akaThe Phantom of Liberty aka Fantom Slobode (1974) by Luis Buñuel - black comedy - nadrealizam - surrealism - surréalisme

The Phantom of Liberty 

(French: Le Fantôme de la liberté) is a 1974 surrealist comedy film by Luis Buñuel, produced by Serge Silberman and starring Adriana Asti, Julien Bertheau and Jean-Claude Brialy. It features a non-linear plot structure that consists of various otherwise unrelated episodes linked only by the movement of certain characters from one situation to another and exhibits Buñuel's typical ribald satirical humor combined with a series of increasingly outlandish and far-fetched incidents intended to challenge the viewer's pre-conceived notions about the stability of social mores and reality.

The Phantom of Liberty From Wikipedia, the free encyclopedia

 Directed by:  Luis Buñuel

Written by:  Luis Buñuel, Jean-Claude Carrière

Produced by: Serge Silberman

Starring:

Adriana Asti

Julien Bertheau

Jean Rochefort

Jean-Claude Brialy

Michel Piccoli

Cinematography: Edmond Richard

Edited by Hélène Plemiannikov

Production company Greenwich Film Productions

Distributed by 20th Century Fox

Release date 11 September 1974 (France)

23 November 1974 (Italy)

Running time 104 minutes

Countries: France / Italy

Language:  French

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Cinéma Le fantôme de la liberté 1974 France

Le Fantome de la liberte Luis Bunuel : DVD et Blu-ray - Amazon

LUIS BUÑUEL

The Phantom of Liberty

Luis Buñuel’s vision of the inherent absurdity of human social rituals reaches its taboo-annihilating extreme in what may be his most morally subversive and formally audacious work. Zigzagging across time and space, from the Napoleonic era to the present day, The Phantom of Liberty unfolds as a picaresque, its characters traveling between tableaux in a series of Dadaist non sequiturs. Unbound by the laws of narrative logic, Buñuel lets his surrealist’s id run riot in an exuberant revolt against bourgeois rationality that seems telegraphed directly from his unconscious to the screen.

The Phantom of Liberty Luis Buñuel - The Criterion Collection

Ishod Na Nišanu: "Oko Početka, Oko Kraja" - Outcome On Gunpoint: Eye of Beginning, Eye of End / Zbirka Poezije | poezija | poetry | poésie

Oko Početka, Oko Kraja 

U silini nasilja, postoji put

Samo za tebe sakriven...

*

Ti si sjajna, uvek zahvalna

Znaš da veličanstvenost beskraja

Sada čami u tami ogledala.

Misliš o muzici dodira i lepoti zagrljaja

Idi dalje...

Kroz prašumu insekata

Preko planina starih mamuta

U društvu dobrih vilenjaka

Kroz zidove umova

Gde će biti teško

Tu hodaj na prstima

Završi snažno

Sa svežim uzdahom

Nekog davno zaboravljenog vazduha.

 *

Ja već vidim da si stigla 

Kako sada stojiš, sasvim nova

Kao tek stvorena.

Photo: Sebastian Sava Gor

Outcome On Gunpoint: Eye of Beginning, Eye of End

In the force of violence, there is a way

Hidden just for you ...

*

You are great, always grateful

You know the majesty of infinity

Now lurk in the darkness of the mirror.

You think about the music of touch and the beauty of hugs

Go further...

Through the rainforest of insects

Across the mountains of old mammoths

In the company of good elves

Through the walls of the mind

Where it will be difficult

Walk on your toes there

Finish hard

With a fresh sigh of some long-forgotten air.

  *

I already see you've arrived

As you stand now, brand new

As just created.

EX EX : ENTER / Ceo Album - Full Album

Autour du début, autour de la fin

Dans la force de la violence, il y a un moyen

Caché rien que pour vous...

*

Tu es génial, toujours reconnaissant

Tu connais la majesté de l'infini

Maintenant, cachez-vous dans l'obscurité du miroir.

Tu penses à la musique du toucher et à la beauté des câlins

Aller plus loin...

A travers la forêt tropicale d'insectes

À travers les montagnes des vieux mammouths

En compagnie de bons elfes

À travers les murs de l'esprit

Où ce sera difficile

Marchez sur vos orteils là-bas

Finir dur

Avec un nouveau soupir d'air oublié depuis longtemps.

  *

Je vois déjà que tu es arrivé

Comme vous vous tenez maintenant, tout neuf

Comme il vient d'être créé.

Sebastian Sava Gor - YouTube

Sebastian Sava Gor (@sebastianexex) • Instagram photos ...

Sebastian Sava Gor (exexsebastian) - Profile | Pinterest

EPICENTAR: Nervni Slom | Epicenter: Nervous Breakdown | Épicentre: Dépression Nerveuse / Эпицентр: Нервный Срыв | поезија. poezija. poetry. poésie. поэзия

Нервни Слом

 Махнити људождер лута пустињом

Спремала се тешка временска непогода

Он се молио, дрхтао и плакао читаву ноћ

Сакривен у крошњи баобаба

Дан је донео заслепљујућу врелину

Са свих страна цурила је маст

Пустиња се злокобно хвалила белим костима

Шкорпијама, змијама и јатима лешинара

Малаксало је тело

Запалио се ум

И да ли је привиђење или спасење

Заиста чудна појава

Бела, боса девојка и камила

Као да је срце престало да куца

Одмах затим нешто као нервни слом.

---

English Translation

Nervous Breakdown

by Sebastian Sava Gor

A frenzied cannibal roams the desert,

A heavy storm was brewing.

He prayed, trembled, and wept all through the night,

Hidden in the branches of a baobab tree.

The day brought a blinding heat,

Fat dripping from every side.

The desert ominously boasted of white bones,

Scorpions, snakes, and flocks of vultures.

His body grew frail,

His mind ignited.

And whether a mirage or salvation,

A truly strange apparition...

A white, barefoot girl and a camel...

As if his heart ceased to beat,

And then, suddenly—something like a nervous breakdown.

---

Russian Translation

Нервный Срыв

Себастиан Сава Гор

Безумный каннибал бродит по пустыне,

Надвигалась сильная буря.

Он молился, дрожал и плакал всю ночь,

Спрятавшись в ветвях баобаба.

День принес ослепляющую жару,

Со всех сторон капал жир.

Пустыня зловеще хвасталась белыми костями,

Скорпионами, змеями и стаями стервятников.

Тело обессилело,

Разум вспыхнул.

И видение или спасение —

Поистине странное явление...

Белая, босая девушка и верблюд...

Как будто сердце перестало биться,

А затем вдруг—что-то вроде нервного срыва.

---

French Translation

Crise Nerveuse

par Sebastian Sava Gor

Un cannibale frénétique erre dans le désert,

Une violente tempête se préparait.

Il priait, tremblait et pleurait toute la nuit,

Caché dans les branches d’un baobab.

Le jour a apporté une chaleur aveuglante,

La graisse dégoulinait de toutes parts.

Le désert se vantait sinistrement de ses os blanchis,

De ses scorpions, serpents et nuées de vautours.

Le corps s’est affaibli,

L’esprit s’est embrasé.

Et, mirage ou salut,

Une apparition vraiment étrange...

Une fille blanche, pieds nus, et un chameau...

Comme si son cœur s’était arrêté,

Et soudain—quelque chose comme une crise nerveuse.

---

Photo: Sebastian Sava Gor

EX EX : ILi Hoćeš Ti?

Best Albums Ever: Violent Femmes - Violet Femmes (1983) post-punk, alternative rock

Violent Femmes are an American folk punk band from Milwaukee, Wisconsin. The band consists of founding members Gordon Gano (guitar, lead vocals) and Brian Ritchie (bass, backing vocals), joined by multi-instrumentalist Blaise Garza (joined 2004), and drummer John Sparrow (joined 2016). Former members of the band include drummers Victor DeLorenzo (1980–1993, 2002–2013), Guy Hoffman (1993–2002), and Brian Viglione (2013–2016).  Violent Femmes have released ten studio albums and 15 singles during the course of their career. The band found immediate success with the release of their self-titled debut album in early 1983. Featuring many of their well-known songs, including "Blister in the Sun", "Kiss Off", "Add It Up" and "Gone Daddy Gone", Violent Femmes became the band's biggest-selling album and was eventually certified platinum by the RIAA. Violent Femmes went on to become one of the most successful alternative rock bands of the 1980s, selling more than 9 million albums by 2005. After the release of their third album The Blind Leading the Naked (1986), the band's future was uncertain and they split up in 1987, when Gano and Ritchie went solo. However, they regrouped a year later, releasing the album 3 (1989). Their fifth album Why Do Birds Sing? (1991) contains the fan favorite and concert staple "American Music". In 1993, founding drummer Victor DeLorenzo left the band, and the band released the compilation album Add It Up (1981–1993), while their 1994 album New Times introduce new drummer Guy Hoffman to the lineup. A number of albums were released with this lineup throughout the 1990s, then DeLorenzo rejoined the band in 2002 for what was to be a farewell tour. The band stopped releasing new albums, though a number of compilation albums were released in the early 2000s, along with a few one-off songs. Some controversy over the licensing of the band's songs for commercial use led to an official break-up in 2009, though the band re-formed in 2013, and have since released two more studio albums of new material: We Can Do Anything (2016) and Hotel Last Resort (2019).

Violent Femmes From Wikipedia, the free encyclopedia

Violent Femmes is the band's most successful album to date. It went gold four years after its release and platinum four years after that despite never having appeared on the Billboard 200 album chart. After achieving platinum certification on February 1, 1991, the album finally charted for the first time on August 3, 1991, and peaked at #171. Since Nielsen Music began electronically tracking sales in 1991, the album has sold 1.8 million copies. Blending RIAA certifications and Nielsen Music sales data, the record's American sales were estimated at three million as of 2016. Slant Magazine listed the album at No. 21 on its list of "Best Albums of the 1980s"[9] and was ranked number 974 in All-Time Top 1000 Albums (third edition, 2000).[10] In 2014, the staff of PopMatters included the album on their list of "12 Essential Alternative Rock Albums from the 1980s."

VIOLENT FEMMES - Violent Femmes 

- Amazon.com The Violent Femmes' 1983 

self-titled debut is one of the most groundbreaking, 

important, influential, and enjoyable albums ever released...

Ishod Na Meti: "Privremeno Utočište" - 13 / Zbirka Poezije | poezija | poetry | poésie

 

Privremeno Utočište

*

Šina je popustila i kamen je oronuo,

Voz u kome si se vozila nije iskočio…

* 

Dok te nisam video gađao sam kamenom, svaku žicu koju sam video 

Nijedan zvonki zvuk nije dosegao do neba koje sam tako bezgranično voleo

Cirostratusi ili autokumulusi

Bilo kakvi, nisam ni sanjao da su svi bili tvoji…

 *

Ona noć kada sam te upoznao, tražila je dnevno svetlo

Nešto se važno čekalo, puno toga se dogodilo

Sećam se kada su nas posetili leteći korali sa ljubičastim očima,

Bilo je čudno kako su lako kroz nas prolazili…

 *

Sva putovanja su se završila na jednom mestu

To mesto je sada naše privremeno utočište

Naš privremeni dom

Tu čekamo

Sve će se odigrati veoma brzo a nama nepojmljivo...

Sebastian Sava Gor

Best Albums Ever: Chick Corea - Now He Sings, Now He Sobs / jazz, piano jazz, free jazz

Armando Anthony "Chick" Corea (June 12, 1941 – February 9, 2021) was an American jazz composer, keyboardist, bandleader, and occasional percussionist. His compositions "Spain", "500 Miles High", "La Fiesta", "Armando's Rhumba" and "Windows" are widely considered jazz standards. As a member of Miles Davis's band in the late 1960s, he participated in the birth of jazz fusion. In the 1970s he formed Return to Forever.[4] Along with McCoy Tyner, Herbie Hancock, and Keith Jarrett, Corea is considered one of the foremost jazz pianists of the post-John Coltrane era.

Chick Corea From Wikipedia, the free encyclopedia

AllMusic Review by Stephen Thomas Erlewine

Recorded over a year after Chick Corea's debut Tones for Joan's Bones -- a record cut in late 1966 but not appearing until 1968 -- Now He Sings, Now He Sobs feels like his true first album, the place where he put all the pieces in motion for his long, adventurous career... 

ALLMUSIC - Chick Corea Now He Sings, Now He Sobs

Chick Corea - Now He Sings, Now He Sobs - Amazon.com ...

Ishod Na Meti: "Nezaboravno Se Kreće" - 12 / Zbirka Poezije | poezija | poetry | poésie

Ishod Na Meti: 

"Nezaboravno Se Kreće" 

12

 

Nezaboravno se kreće,

Oluja u opravdanom rasulu,

Ne bira,

Podiže decu i čupa drveće.

 

Nezaboravno se kreće,

Sve oko tebe i sve oko mene,

U tebi u meni, kroz, oko i za nas.

 

Nezaboravno se kreće,

I ta ne pažnja,

Crnog vladara nesreće,

Odrpanog pustolova,

U nestvarnom odsustvu,

Koje je malom merom mereno,

I još manje ga je ostalo.

 

Nezaboravno se kreće,

Raduje se i susreće,

Licem u lice,

I sada i za u buduće.

 

Nezaboravno se kreće,

Ne propuštaj ni trenutak!

 

Opio sam se trezvenošću,

Više me ništa tako napiti ne može,

Sanjaj me dobro,

Neka bude večno u zagrljaju, slobodno.

Sebastian Sava Gor

Sonic Youth - Live @ Eurockéenes Festival -11.05.2016 France, 03-07-2005

Sonic Youth - Live @ Eurockéenes Festival -11.05.2016. — 

Sonic Youth - Live @ Eurockéenes Festival, 

France, 03-07-2005. NOTE: Re-uploaded with better quality sound.

Songs:

 

I Love You, Golden Blue (Sonic Nurse) 

The Empty Page (Murray St.) 

Stones (Sonic Nurse) 

Pattern Recognition (Sonic Nurse) 

Unmade Bed (Sonic Nurse) 

Mote (Goo)

New Hampshire (Sonic Nurse) 

Plastic Sun (Murray St.) 

Catholic Block (Sister) 

Drunken Butterfly (Dirty) 

Pacific Coast Highway (Sister) 

Teenage Riot (Daydream Nation)

YouTube - Pidja Man Channel

The Movie, Lesson About Life 34 - Hour of the Wolf - Vargtimmen - Време Вука (1968) Ingmar Bergman / drama, horor, Sweden

Ingmar Bergman

Hour of the Wolf

The strangest and most disturbing of the films Ingmar Bergman shot on the island of Fårö, Hour of the Wolf stars Max von Sydow as a haunted painter living in voluntary exile with his wife (Liv Ullmann). When the couple are invited to a nearby castle for dinner, things start to go wrong with a vengeance, as a coven of sinister aristocrats hastens the artist’s psychological deterioration. This gripping film is charged with a nightmarish power rare in the Bergman canon, and contains dreamlike effects that brilliantly underscore the tale’s horrific elements.

The Criterion Collection - Hour of the Wolf

The Hour of the Wolf" is the hour between night and dawn. It is the hour when most people die. It is the hour when the sleepless are haunted by their deepest fear, when ghosts and demons are most powerful.

IMDb - Vargtimmen (Hour of the Wolf) 1968. ‧ Drama/Хорор ‧ 1h. 41min

Hour of the Wolf (Swedish: Vargtimmen, lit. 'The Wolf Hour') is a 1968 Swedish psychological horror[n 1] film directed by Ingmar Bergman and starring Max von Sydow and Liv Ullmann. The story explores the disappearance of fictional painter Johan Borg (von Sydow), who lived on an island with his wife Alma (Ullmann) while plagued with frightening visions and insomnia.

Bergman originally conceived much of the story as part of an unproduced screenplay, The Cannibals, which he abandoned to make the 1966 film Persona. He took inspiration from Wolfgang Amadeus Mozart's 1791 opera The Magic Flute and E. T. A. Hoffmann's 1814 novella The Golden Pot, as well as some of his own nightmares. Principal photography took place at Hovs Hallar, Stockholm and Fårö.

Themes include insanity, particularly as experienced by an artist, sexuality, and relationships, conveyed in a surreal style and with elements of folklore. Analysts have found allusions to vampire and werewolf legend. Authors have also connected the work to Bergman's life and his relationship with Ullmann; Bergman said he was experiencing his own "hour of the wolf" when he conceived the story.

The film was initially met with negative reviews in Sweden. In later years Hour of the Wolf received generally positive reviews and was ranked one of the 50 greatest films ever made in a 2012 directors' poll by the British Film Institute. The film was followed by Bergman's thematically related films Shame (1968) and The Passion of Anna (1969). Ullmann won awards in 1968 for her performances in both Hour of the Wolf and Shame.

Hour of the Wolf From Wikipedia, the free encyclopedia

Directed by: Ingmar Bergman

Written by: Ingmar Bergman

Produced by: Lars-Owe Carlberg

Starring: Max von Sydow, Liv Ullmann, Gertrud Fridh, Georg Rydeberg, Erland Josephson, Ingrid Thulin

Cinematography: Sven Nykvist

Edited by: Ulla Ryghe

Music by: Lars Johan Werle

Production: Svensk Filmindustri

Distributed by Svensk Filmindustri

Release date 19 February 1968 (Sweden)

Running time 88 minutes

Country: Sweden

Language: Swedish

Amazon - Hour of the Wolf 

(Vargtimmen) Special Edition 

Max von Sydow (Actor), Liv Ullmann (Actor), Ingmar Bergman (Director)

Irena Bijelić Gorenjak - ikone, icons, icône

Irena Bijelich Gorenjak (1972, Belgrade, Serbia) makes paintings and mixed media artworks. By applying abstraction, Bijelich tries to approach a wide scale of subjects in a multi-layered way by using a large number of materials sand, stone, plaster, zeolite, earth, pigment, paper, canvas, acrylic, oil...She likes to involve the viewer in a way that is sometimes physical and believes in the idea of function following form in a work. Her paintings directly respond to the surrounding environment and uses experiences from the artist as a starting point.Often these are framed instances that would go unnoticed in their original context like hole, crater, circle, cracks, cleft...By exploring the concept of landscape in a nostalgic way, she creates intense personal moments masterfully created by means of rules and omissions, acceptance and refusal, luring the viewer round and round in circles.

Her works establish a link between the landscape’s reality and that imagined by its conceiver.These works focus on concrete questions that determine our existence.With a conceptual approach, she investigates the dynamics of landscape, including the manipulation of its effects and the limits of spectacle based on our assumptions of what landscape means to us.Rather than presenting a factual reality, an illusion is fabricated to conjure the realms of our imagination.

Her works doesn’t reference recognisable form.The results are deconstructed to the extent that meaning is shifted and possible interpretation becomes multifaceted.By rejecting an objective truth and global cultural narratives, she creates with daily, recognizable elements, an unprecedented situation in which the viewer is confronted with the conditioning of his own perception and has to reconsider his biased position. Her work urge us to renegotiate painting as being part of a reactive or – at times – autistic medium, commenting on oppressing themes in our contemporary society.

She is also an icon painter

Education

graduated at Academy of Fine Arts  - Belgrade -  Serbia  2001

Exhibitions

eight solo exhibitions and more than 30 group exhibitions.

ISUS HRISTOS

BELI ANĐEO

ARHANGEL MIHAIL

BOGORODICA SA HRISTOM

  

SVETI JOVAN KRSTITELJ

SVETI NIKOLA

SVETI SAVA

  SAATCHIART - Irena Bijelic Gorenjak

FINEARTAMERICA - Irena Bijelić Gorenjak

GALERIJA SINGIDUNEM - Irena Bijelić Gorenjak

Ishod Na Meti: "Nezaboravno Se Kreće" 12 / Zbirka Poezije | poezija | poetry | poésie

 

Ishod Na Meti: 

"Nezaboravno Se Kreće" 

12 

Nije to samo zla slutnja kod zavisnika, zavidnika ili melanholika,

Nisu u pitanju ni besmislene rasprave o opštim mestima,

Upravo je ta, najveća slika, ništa drugo već obična promenljiva pozadina, gde se sve ubija, zakopava i zaboravlja.

Tu priču o jednookom gusaru i zakopanom blagu, sam davno čuo...

Nisam ni najcrnjom slutnjom, slutio da sam za jednookim, mračnim i malo kome, vidljivim gusarom, kao hipnotisani malili duh, potrčao...

Takav zamak bola, gde se i kamen od straha prepao!

Koliko dugo sam tamo vremena proveo?

Za mene se borba vodila pod ulicom u splinovima i u smoli,

Nosio sam sve to sa sobom i srce više nemam, poklonio sam ga tebi.

Snena o zloj slutnji, sluti sama,

Više je nema,

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Best Albums Ever: L7 - Bricks Are Heavy

L7 

is an American rock band founded in Los Angeles, California, first active from 1985 to 2001 and re-formed in 2014. Their longest standing lineup consists of Suzi Gardner (vocals, guitar), Donita Sparks (vocals, guitar), Dee Plakas (drums, vocals) and Jennifer Finch (bass, vocals). L7 has released seven studio albums and has toured widely in the US, Europe, Japan, Australia, and South America. "Pretend We're Dead" was heavily played on US alternative radio and entered the top 10 on the Billboard Modern Rock chart in 1992. Recognized for being simultaneously subversive and infused with humor, L7 is known for consistently delivering spirited live performances with physical, ferocious sets. Due to their sound and image, L7 is often associated with the grunge movement of the late 1980s and early 1990s; As an all-female band, L7 formed Rock for Choice in 1991 and have, at times, also been linked to riot grrrl, although they preceded and are outliers of both the grunge and riot grrrl movements. The band's name, L7, derives from a slang term for square, and was deliberately chosen as a gender neutral sign. A documentary film about the band, L7: Pretend We're Dead, premiered in 2016.

L7 (band) From Wikipedia, the free encyclopedia

Bricks Are Heavy is the third studio album by American rock band L7, released on April 14, 1992 by Slash Records. The album peaked at number 160 on the US Billboard 2001 and number one on the Heatseekers Albums chart.

Bricks Are Heavy From Wikipedia, the free encyclopedia

Spotify - L7 - Bricks Are Heavy

Bricks Are Heavy is a worthwhile album to have in your collection, "Shitlist" is a fantastic hard hitting song (also from the Natural Born Killers Soundtrack) ...

Ocena: 4,7 · ‎186 recenzija

L7 - Bricks Are Heavy - Amazon