Movies by Books 03 - The Exorcist (1973)
Истеривач ђавола (енгл. The Exorcist) је амерички хорор филм из 1973. године, режисера Вилијама Фридкина, рађен по истоименој новели Вилијама Питера Блатија са Елен Берстин, Максом фон Сидуом, Линдом Блер и Џејсоном Милером у главним улогама. Филм је награђен Оскаром за најбољи адаптирани сценарио, Оскаром за најбоље миксовање звука и 4 Златна глобуса, а такође је био и номинован за још 8 Оскара и 3 Златна глобуса. Један је од најпознатијих и најуспешнијих хорора свог времена. Зарадио је преко 440 милиона долара што га је у том тренутку ставило на 1. место по заради у историји хорор филма, да би га касније с те позиције збацило Шесто чуло 1999. године, а потом се 2017. на прву позицију попело То Стивена Кинга и потиснуло га на 3. позицију.
Филм је инспирисан истинитим догађајима из 1949. који су упамћени као Егзорцизам Роналда Доа. Централни лик филма је 12-годишња девојчица, Реган Мекнил, коју запоседне демон Пазузу. Када њена мајка схвати да јој лекари не могу помоћи окреће се цркви и тражи помоћ од локалног свештеника Демијена Караса, који такође пролази кроз веома тежак период живота након мајчине смрти. Једина нада за спас девојчице је отац Ланкестер Мерин, који се већ сусретао с демоном и он је једини кога се демон заправо плаши.
Поред тога што је остварио велики успех и освојио бројне награде, филм Истеривач ђавола, започео је и филмску франшизу не тако успешних филмова, коју за сада чине 5 остварења. Први наставак филма изашао је 1977. године, под називом Истеривач ђавола 2: Јеретик и Линда Блер се вратила у улогу Реган у том филму.
The Exorcist is a 1973 American supernatural horror film directed by William Friedkin and produced and written for the screen by William Peter Blatty, based on the 1971 novel of the same name by Blatty. The film stars Ellen Burstyn, Max von Sydow, Lee J. Cobb, Kitty Winn, Jack MacGowran (in his final film role), Jason Miller and Linda Blair. It is the first installment in The Exorcist film series, and follows the demonic possession of twelve year-old Regan and her mother's attempt to rescue her through an exorcism conducted by two Catholic priests.
Despite the book's bestseller status, Blatty, who produced, and Friedkin, his choice for director, had difficulty casting the film. After turning down, or being turned down by, major stars of the era, they cast Burstyn, a relative unknown, as well as unknowns Blair and Miller (author of a hit play with no film acting experience); the casting choices were vigorously opposed by studio executives at Warner Bros. Pictures. Principal photography was also difficult. A fire destroyed the majority of the set, and Blair and Burstyn suffered long-term injuries in on-set accidents. Ultimately production took twice as long as scheduled and cost more than twice the initial budget.
The Exorcist was released in 24 theaters in the United States and Canada in late December. Despite initial mixed critical reviews, audiences flocked to it, waiting in long lines during winter weather and many doing so more than once. Some viewers suffered adverse physical reactions, fainting or vomiting to scenes in which the protagonist undergoes a realistic cerebral angiography and later violently masturbates with a crucifix. Heart attacks and miscarriages were reported; a psychiatric journal published a paper on "cinematic neurosis" triggered by the film. Many children were allowed to see the film, leading to charges that the MPAA ratings board had accommodated Warner Brothers by giving the film an R-rating instead of the X-rating they thought it deserved, in order to ensure its commercial success. Several cities attempted to ban it outright or prevent children from attending.
The cultural conversation around the film, which also encompassed its treatment of Catholicism, helped it become the first horror film to be nominated for the Academy Award for Best Picture, one of ten Academy Awards it was nominated for, winning for Best Adapted Screenplay and Best Sound. It was the highest-grossing R-rated horror film (unadjusted for inflation) until the 2017 release of It. The Exorcist has had a significant influence on popular culture and has received critical acclaim, with several publications regarding it as one of the greatest horror films ever made. English film critic Mark Kermode named it his "favorite film of all time". In 2010, the Library of Congress selected the film to be preserved in its National Film Registry, citing it as "culturally, historically, or aesthetically significant".
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The Exorcist is a 1971 horror novel by American writer William Peter Blatty. The book details the demonic possession of eleven-year-old Regan MacNeil, the daughter of a famous actress, and the two priests who attempt to exorcise the demon. Published by Harper & Row, the novel was the basis of a highly successful film adaptation released two years later, whose screenplay was also written and produced by Blatty, and part of The Exorcist franchise.
The novel was inspired by a 1949 case of demonic possession and exorcism that Blatty heard about while he was a student in the class of 1950 at Georgetown University.[1] As a result, the novel takes place in Washington, D.C., near the campus of Georgetown University. In September 2011, the novel was reprinted by Harper Collins to celebrate its fortieth anniversary, with slight revisions made by Blatty as well as interior title artwork by Jeremy Caniglia.
In 1973, the novel was adapted by Blatty for the film of the same name and directed by William Friedkin with Ellen Burstyn, Max von Sydow, Lee J. Cobb, Jack MacGowran, Jason Miller and Linda Blair. The screenplay for the film won Blatty an Academy Award for Best Adapted Screenplay. In 1974 famed Japanese horror author Kazuo Umezu also created a short comic adaptation of this film.
The Exorcist is a 1971 horror novel by American writer William Peter Blatty. The book details the demonic possession of eleven-year-old Regan MacNeil, the daughter of a famous actress, and the two priests who attempt to exorcise the demon. Published by Harper & Row, the novel was the basis of a highly successful film adaptation released two years later, whose screenplay was also written and produced by Blatty, and part of The Exorcist franchise.
The novel was inspired by a 1949 case of demonic possession and exorcism that Blatty heard about while he was a student in the class of 1950 at Georgetown University.[1] As a result, the novel takes place in Washington, D.C., near the campus of Georgetown University. In September 2011, the novel was reprinted by Harper Collins to celebrate its fortieth anniversary, with slight revisions made by Blatty as well as interior title artwork by Jeremy Caniglia.
In 1973, the novel was adapted by Blatty for the film of the same name and directed by William Friedkin with Ellen Burstyn, Max von Sydow, Lee J. Cobb, Jack MacGowran, Jason Miller and Linda Blair. The screenplay for the film won Blatty an Academy Award for Best Adapted Screenplay. In 1974 famed Japanese horror author Kazuo Umezu also created a short comic adaptation of this film.
Originally published in 1971, The Exorcist is now a major television series on FOX. It remains one of the most controversial novels ever written and went on to become a literary phenomenon: It spent fifty-seven weeks on the New York Times bestseller list, seventeen consecutively at number one. Inspired by a true story of a child’s demonic possession in the 1940s, William Peter Blatty created an iconic novel that focuses on Regan, the eleven-year-old daughter of a movie actress residing in Washington, D.C. A small group of overwhelmed yet determined individuals must rescue Regan from her unspeakable fate, and the drama that ensues is gripping and unfailingly terrifying.
Two years after its publication, The Exorcist was, of course, turned into a wildly popular motion picture, garnering ten Academy Award nominations. On opening day of the film, lines of the novel’s fans stretched around city blocks. In Chicago, frustrated moviegoers used a battering ram to gain entry through the double side doors of a theater. In Kansas City, police used tear gas to disperse an impatient crowd who tried to force their way into a cinema. The three major television networks carried footage of these events; CBS’s Walter Cronkite devoted almost ten minutes to the story. The Exorcist was, and is, more than just a novel and a film: it is a true landmark.
Purposefully raw and profane, The Exorcist still has the extraordinary ability to disturb readers and cause them to forget that it is “just a story.” Published here in this beautiful fortieth anniversary edition, it remains an unforgettable reading experience and will continue to shock and frighten a new generation of readers.
In February 2014, BBC Radio 4 broadcast a two-part adaptation of the novel by Robert Forrest[9] produced and directed by Gaynor MacFarlane and starring Robert Glenister as Father Karras, Lydia Wilson as Regan, Teresa Gallagher as Chris MacNeil, Karl Johnson as Detective Kinderman, Bryan Dick as Father Dyer, Alexandra Mathie as The Demon and Ian McDiarmid as Father Merrin.
A stage adaptation of the novel was written by John Pielmeier and premiered at Geffen Playhouse in Los Angeles in July 2012. It was directed by John Doyle and starred Brooke Shields, David Wilson Barnes, Richard Chamberlain, Emily Yetter, Harry Groener, Roslyn Ruff, Manoel Felciano, Tom Nelis, and Stephen Bogardus. The play made its UK premiere at the Birmingham Repertory Theatre in October 2016, co-produced by Bill Kenwright. The new production was directed by Sean Mathias, designed by Anna Fleischle and starred Jenny Seagrove as Chris, Peter Bowles as Merrin and Adam Garcia as Damien.
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