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Приказују се постови за новембар 19, 2022

Spontano Sagorevanje: "Časlav Vuk" | Spontaneous Combustion: "Chaslav and Wolf" | Zbirka Kratkih Priča | Savremena Proza | A Collection of Short Stories | Prose contemporaine | Une collection d'histoires courtes

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  Spontano Sagorevanje:  "Časlav i Vuk"  I  Časlav je izašao da se prošeta. Zamislio se i hodao je dugo. Napustio je bezbedni deo šume u kojoj je živeo i izašao je na malo otvoreniji prostor. Tuda se šetao vuk. Vuk je bio veoma gladan. Iz dva skoka vuk se našao, oči u oči, sa svojom žrtvom. Časlav se paralisao od straha i užasa. Vuk skoči i zari svoje oštre zube u toplo meso. II Časlav je izašao da se prošeta. Zamislio se i hodao je dugo. Napustio je bezbedni deo šume u kojoj je živeo i izašao je na malo otvoreniji prostor. Tuda se    šetao gospodin Šarlo, veliki crni vuk.   - Dobar dan gospodine Šarlo - pozdravi Časlav vuka.   - Dobar dan Časlave... hoće li biti zabavno danas?   - Kako neće Šarlo, zabavi nikada neće biti kraja.   - To mi je drago da čujem i već se radujem - poskoči i nasmeja se veliki vuk.   - Lepo se igraj. - mahnu mu Časlav i polete ka nebu, velikom brzinom svojih, sopstvenih    misli, požurivši da uradi još mnoge stvari, na drugoj strani planete. Spontane

Best Albums Ever: Linton Kwesi Johnson: Bass Culture / dub. reggae

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Linton Kwesi Johnson Bass Culture Bass Culture is an album by dub poet Linton Kwesi Johnson, released in 1980 on the Island Records label. It was produced by Linton Kwesi Johnson and Dennis Bovell (credited as Blackbeard). Bovell, Lloyd "Jah Bunny" Donaldson, and Webster Johnson were members of Matumbi. Tracklisting: "Bass Culture" – 6:04 "Street 66" – 3:43 "Reggae fi Peach" – 3:09 "Di Black Petty Booshwah" – 3:36 "Inglan Is a Bitch" – 5:26 "Loraine" – 4:08 "Reggae Sounds" – 3:09 "Two Sides of Silence" – 2:13 Linton Kwesi Johnson (born 24 August 1952), also known as LKJ, is a Jamaica-born, British-based dub poet and activist. In 2002 he became the second living poet, and the only black one, to be published in the Penguin Modern Classics series. His performance poetry involves the recitation of his own verse in Jamaican patois over dub-reggae, usually written in collaboration with reggae producer/a