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Live Blues. 24/7. On the Blues Radio International Livestream / Book: The History Of The Blues: The Roots, The Music, The People


Now live on the Blues Radio International Livestream:

Exclusive performances, interviews 
and musical cameo appearances by


Lurrie Bell
Johnny Winter
Walter Trout
David Crosby
Mike Zito
Beth Hart
Sugaray Rayford
James Harman
Jorma Kaukonen
Vanessa Collier
Annika Chambers
Jeff Jensen
Shemekia Copeland
Larkin Poe
John Primer
Jason Ricci
Kenny Wayne Shepherd
Elvin Bishop
Kenny Neal
Joe Louis Walker
Danielle Nicole
Anson Funderburgh
Mark Hummel
Laura Chavez
Samantha Fish
Duke Robillard
Rory Block
Albert Castiglia
Cedric Burnside
Bob Margolin
Colin James
Rick Vito
Doug MacLeod
Anthony Geraci
Ron Holloway
Matt Schofield
Ronnie Earl
Welch Ledbetter Connection
Toronzo Cannon
Butch Trucks
Mississippi Allstars
JP Soars
Eric Bibb
Otis Clay
Henry Gray
Maria Muldaur
Rick Estrin
Janiva Magness
Chris Antonik
Louisiana Red
Marcia Ball
Victor Wainwright
Fabrizzio Poggi
Guy Davis
Bettye LaVette
Diunna Greenleaf
Doug Deming
Charlie Wooten
The Proven Ones
Eric Lindell
Dave Keller
Catfish Keith
Lindsay Beaver





Blues is a music genre and musical form which was originated in the Deep South of the United States around the 1860s by African-Americans from roots in African-American work songs, and spirituals. Blues incorporated spirituals, work songs, field hollers, shouts, chants, and rhymed simple narrative ballads. The blues form, ubiquitous in jazz, rhythm and blues and rock and roll, is characterized by the call-and-response pattern, the blues scale and specific chord progressions, of which the twelve-bar blues is the most common. Blue notes (or "worried notes"), usually thirds, fifths or sevenths flattened in pitch are also an essential part of the sound. Blues shuffles or walking bass reinforce the trance-like rhythm and form a repetitive effect known as the groove.

Blues as a genre is also characterized by its lyrics, bass lines, and instrumentation. Early traditional blues verses consisted of a single line repeated four times. It was only in the first decades of the 20th century that the most common current structure became standard: the AAB pattern, consisting of a line sung over the four first bars, its repetition over the next four, and then a longer concluding line over the last bars. Early blues frequently took the form of a loose narrative, often relating the racial discrimination and other challenges experienced by African-Americans.

Many elements, such as the call-and-response format and the use of blue notes, can be traced back to the music of Africa. The origins of the blues are also closely related to the religious music of the Afro-American community, the spirituals. The first appearance of the blues is often dated to after the ending of slavery and, later, the development of juke joints. It is associated with the newly acquired freedom of the former slaves. Chroniclers began to report about blues music at the dawn of the 20th century. The first publication of blues sheet music was in 1908. Blues has since evolved from unaccompanied vocal music and oral traditions of slaves into a wide variety of styles and subgenres. Blues subgenres include country blues, such as Delta blues and Piedmont blues, as well as urban blues styles such as Chicago blues and West Coast blues. World War II marked the transition from acoustic to electric blues and the progressive opening of blues music to a wider audience, especially white listeners. In the 1960s and 1970s, a hybrid form called blues rock developed, which blended blues styles with rock music.




Francis Davis's The History of the Blues is a groundbreaking rethinking of the blues that fearlessly examines how race relations have altered perceptions of the music. Tracing its origins from the Mississippi Delta to its amplification in Chicago right after World War II, Davis argues for an examination of the blues in its own right, not just as a precursor to jazz and rock 'n' roll. The lives of major figures such as Robert Johnson, Charlie Patton, and Leadbelly, in addition to contemporary artists such as Stevie Ray Vaughan and Robert Cray, are examined and skillfully woven into a riveting, provocative narrative.





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