The Movie, Lesson About Life 00 - Action, Adventure, Animation, Biography, Comedy, Crime, Documentary, Drama, Family, Fantasy, Film-Noir, History, Horror, Music, Mystery, Romance, Sci-Fi, Short, Sport, Thriller, War, Western
The Movie, Lesson About Life 00
1900 (Italian: Novecento, "Twentieth Century") is a 1976 epic historical drama film directed by Bernardo Bertolucci and featuring an international ensemble cast including Robert De Niro, Gérard Depardieu, Dominique Sanda, Francesca Bertini, Laura Betti, Stefania Casini, Ellen Schwiers, Sterling Hayden, Alida Valli, Romolo Valli, Stefania Sandrelli, Donald Sutherland, and Burt Lancaster. Set in Bertolucci's ancestral region of Emilia, the film chronicles the lives and friendship of two men – the landowning Alfredo Berlinghieri
(De Niro) and the peasant Olmo Dalcò (Depardieu) – as they witness and participate in the political conflicts between fascism and communism that took place in Italy in the first half of the 20th century. The film premiered out of competition at the 1976 Cannes Film Festival. With a runtime of 317 minutes in its original version, 1900 is known for being one of the longest commercially released films ever made. Its great length led to its being presented in two parts when originally released in many countries, including Italy, East and West Germany, Denmark, Belgium, Norway, Sweden, Colombia, Pakistan and Japan. In other countries, such as the United States, a single edited-down version of the film was released.[4] 1900 has become widely regarded as a cult classic, and has received several special edition home video releases from a variety of distributors. A restoration of the film premiered out of competition at the 74th Venice International Film Festival in 2017.
Cabaret is a 1972 American musical drama film directed by Bob Fosse, and starring Liza Minnelli, Michael York and Joel Grey.
Set in Berlin during the Weimar Republic in 1931, under the presence of the growing Nazi Party, the film is loosely based on the 1966 Broadway musical Cabaret by Kander and Ebb, which was adapted from Christopher Isherwood's semi-autobiographical novel The Berlin Stories (1945) and the 1951 play I Am a Camera adapted from the same work. Multiple numbers from the stage score were used for the film, which also featured three other songs by Kander and Ebb, including two written for the adaptation. In the traditional manner of musical theater, most major characters in the stage version sing to express their emotions and advance the plot; in the film, however, the musical numbers are entirely diegetic. All of them take place inside the club, with one exception: "Tomorrow Belongs to Me", the only song sung neither by the characters of the Master of Ceremonies or Sally Bowles.
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Hail! Hail! Rock 'n' Roll is a 1987 documentary film directed by Taylor Hackford that chronicles two 1986 concerts celebrating rock and roll musician Chuck Berry's 60th birthday. A soundtrack album was released in October 1987 on the MCA label. The name comes from a line in Berry's song "School Days". The two concerts were held on October 16, 1986, at the Fox Theatre in St. Louis; among the artists performing with Berry were Linda Ronstadt, Keith Richards, Eric Clapton, Robert Cray, Etta James, Johnnie Johnson, Steve Jordan, Bobby Keys, Julian Lennon, and Joey Spampinato from NRBQ. Along with concert footage, the film also features scenes from the rehearsals for the shows, interviews with Berry and members of his family, and "talking-head"-type appearances from a number of musicians, including Bo Diddley, The Everly Brothers, John Lennon (archival footage), Jerry Lee Lewis, Roy Orbison, Little Richard and Bruce Springsteen.
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Dobermann is a 1997 French film directed by Jan Kounen starring Tchéky Karyo, Vincent Cassel, and Monica Bellucci.
The charismatic criminal Dobermann (Vincent Cassel), who got his first gun when he was christened, leads a gang of brutal robbers with his beautiful, deaf girlfriend Nat the Gypsy (Monica Bellucci). After a complex and brutal bank robbery, they are being hunted by the Paris police. The hunt is led by the sadistic cop Christini (Tchéky Karyo), who only has one goal: to catch Dobermann at any cost. He manages to catch gang member Olivier, who is also a tranvestite named Sonia. Christini threatens to kill Olivier's baby if he does not help him to catch the gang. Olivier has no choice and visits a party in a disco where the other gang members celebrate their robbery. He informs Christini with an alarm transmitter that all gang members are here so the police start a raid. After a gun fight the police arrest several members of the gang but some manage to escape, including Dobermann, who flees into a hidden basement which also has monitoring screens to show what happens in the disco. As Christini kills Pitbull and abducts Nat with a car to rape her, Dobermann leaves his hiding place and follows him in a stolen ambulance. He overtakes Christini and manages to wrestle him down in the car. Dobermann grinds the head of Christini on the road while still driving the car at high speed as revenge for the killed friends. Christini is left heavily disfigured on the road, presumably dying. The surviving gang members are able to escape and bury Sonia (the personage), suggesting that her treason results in Olivier having to drop his transvestite role. As they leave the scene in their cabrio a police helicopter is shown following them, with their car in its sights.
Shock Corridor is a 1963 American psychological thriller film written and directed by Samuel Fuller, and starring Peter Breck, Constance Towers, and Gene Evans. The film tells the story of a journalist who gets himself intentionally committed to a mental hospital in order to solve a murder committed within the institution. Fuller originally wrote the film under the title Straitjacket for Fritz Lang in the late 1940s, but Lang wanted to change the lead character to a woman so Joan Bennett could play the role. In 1996, Shock Corridor was selected for preservation in the United States National Film Registry by the Library of Congress as being "culturally, historically, or aesthetically significant".
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Soldier Blue is a 1970 American Revisionist Western film directed by Ralph Nelson and starring Candice Bergen, Peter Strauss, and Donald Pleasence. Adapted by John Gay from the novel Arrow in the Sun by T.V. Olsen, it is inspired by events of the 1864 Sand Creek massacre in the Colorado Territory. Nelson and Gay intended to utilize the narrative surrounding the Sand Creek massacre as an allegory for the contemporary Vietnam War. Released in August 1970, the film drew attention for its frank depictions of violence, specifically its graphic final sequence. Some film scholars have cited Soldier Blue as a critique of America's "archetypal art form [the Western]," with other interpretations ranging from it being an anti-war picture to an exploitation film.
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The Blue Angel (German: Der blaue Engel) is a 1930 German musical comedy-drama film directed by Josef von Sternberg and starring Marlene Dietrich, Emil Jannings, and Kurt Gerron. Written by Carl Zuckmayer, Karl Vollmöller and Robert Liebmann – with uncredited contributions by Sternberg – it is based on Heinrich Mann's 1905 novel Professor Unrat (Professor Filth) and set in Weimar Germany. The Blue Angel presents the tragic transformation of a respectable professor to a cabaret clown and his descent into madness. The film is the first feature-length German full-talkie and brought Dietrich international fame. In addition, it introduced her signature song, Friedrich Hollaender and Robert Liebmann's "Falling in Love Again (Can't Help It)". It is considered to be a classic of German cinema.
The film was shot simultaneously in German- and English-language versions, although the latter version was thought lost for many years. The German version is considered to be "obviously superior"; it is longer and not marred by actors struggling with their English pronunciation.
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The Panic in Needle Park is a 1971 American romantic drama film directed by Jerry Schatzberg and starring Al Pacino. The screenplay was written by Joan Didion and John Gregory Dunne, adapted from the 1966 novel by James Mills.
The film portrays life among a group of heroin addicts who hang out in "Needle Park" (then-nickname for Sherman Square on Manhattan's Upper West Side near 72nd Street and Broadway). The film is a love story between Bobby (Pacino), a young addict and small-time hustler, and Helen (Kitty Winn), a restless woman who finds Bobby charismatic. She becomes an addict, and life goes downhill for them both as their addictions worsen, eventually leading to a series of betrayals.
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The Passion of Joan of Arc (French: La Passion de Jeanne d'Arc) is a 1928 French silent historical film based on the actual record of the trial of Joan of Arc. The film was directed by Carl Theodor Dreyer and stars Renée Jeanne Falconetti as Joan. It is widely regarded as a landmark of cinema, especially for its production, Dreyer's direction and Falconetti's performance, which is often listed as one of the finest in cinema history. The film summarizes the time that Joan of Arc was a captive of England, depicting her trial and execution.
Danish director Dreyer was invited to make a film in France by the Société Générale des Films and chose to make a film about Joan of Arc due to her renewed popularity in France. Dreyer spent over a year researching Joan of Arc and the transcripts of her trial before writing the script. Dreyer cast stage actress Falconetti as Joan in her only major film role. Falconetti's performance and devotion to the role during filming have become legendary among film scholars.
The film was shot on one huge concrete set modeled on medieval architecture in order to realistically portray the Rouen prison. The film is known for its cinematography and use of close-ups. Dreyer did not allow the actors to wear make-up and used lighting designs that made the actors look more grotesque. Prior to its release, the film was controversial due to French nationalists' skepticism about whether a Dane could direct a film about one of France's most revered historical icons. Dreyer's final version of the film was cut down due to pressure from the Archbishop of Paris and government censors. For several decades, it was released and viewed in various re-edited versions that attempted to restore Dreyer's final cut. In 1981, a print of Dreyer's final cut was discovered in Dikemark Hospital, a mental institution just outside Oslo, Norway, and re-released.
Despite the objections and cutting of the film by clerical and government authorities, it was a major critical success when first released and has consistently been considered one of the greatest films ever made since 1928. It has been praised and referenced by many film directors and musicians.
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White Hunter Black Heart is a 1990 American adventure drama film produced, directed by, and starring Clint Eastwood and based on the 1953 book of the same name by Peter Viertel. Viertel also co-wrote the script with James Bridges and Burt Kennedy. The film is a thinly disguised account of Viertel's experiences while working on the classic 1951 film The African Queen, which was shot on location in Africa at a time when location shoots outside of the United States for American films were very rare. The main character, brash director John Wilson, played by Eastwood, is based on real-life director John Huston. Jeff Fahey plays Pete Verrill, a character based on Viertel. George Dzundza's character is based on African Queen producer Sam Spiegel. Marisa Berenson's character Kay Gibson and Richard Vanstone's character Phil Duncan are based on Katharine Hepburn and Humphrey Bogart, respectively. This was the last film that James Bridges worked on writing down a screenplay, before dying in 1993.
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