Sebastian Sava Gor

  ČOVEK SA I BEZ IDENTITETA     -  Ti si čovek ne izgrađenog identitete. Tvoja ličnost se raspada pred tvojim očima. U tebi su očaj, neverica, podozrivost, gramzivost, strah, zavist i douboko samoprezrenje. Bludom se napajaš kao što se svim sredstvima opijaš. Ti ne voliš ljude, niti sebe. Vidim da priželjukuješ da bezbolno nestaneš. Sumnjam da ti je ime upisano u Knjigu Živih, ali ne igraj se i spremi se, da sa tom težinom, kroz ognjene, iglene uši prolaziš! Čovek kome su upućene reči pade ničice na kolena a drugome maltene na cipele i zaplakavši on odgovori: -  Sve je istina! Priznajem i kajem se… -  Ah, kako to? Pa šta bi?! Ali to ne može tek tako, najedanput... a na delu da pokažeš?!! I na kraju krajeva, nisam ja sveštenik! Na ove reči prvi čovek koji je opominjao drugoga propade u zemlju koja se otvorila ispod njega a drugi ostade da na ivici posmatra duboki, mračni ponor ispod sebe i uplaši se veoma… "Robot sa Identitetom?" Sebastian Sava Gor Photography A MAN WITH AND W

Now live on the Blues Radio International Livestream: Exclusive performances, interviews  and musical cameo appearances by Lurrie Bell Johnny Winter Walter Trout David Crosby Mike Zito Beth Hart Sugaray Rayford James Harman Jorma Kaukonen Vanessa Collier Annika Chambers Jeff Jensen Shemekia Copeland Larkin Poe John Primer Jason Ricci Kenny Wayne Shepherd Elvin Bishop Kenny Neal Joe Louis Walker Danielle Nicole Anson Funderburgh Mark Hummel Laura Chavez Samantha Fish Duke Robillard Rory Block Albert Castiglia Cedric Burnside Bob Margolin Colin James Rick Vito Doug MacLeod Anthony Geraci Ron Holloway Matt Schofield Ronnie Earl Welch Ledbetter Connection Toronzo Cannon Butch Trucks Mississippi Allstars JP Soars Eric Bibb Otis Clay Henry Gray Maria Muldaur Rick Estrin Janiva Magness Chris Antonik Louisiana Red Marcia Ball Victor Wainwright Fabrizzio Poggi Guy Davis Bettye LaVette Diunna Greenleaf Doug Deming Charlie Wooten The Proven Ones Eric Lindell Dave Keller Catfish Keith Lindsay Beav

“And then — she walked in” Jazz Noir, Dark Jazz, and How Music Tells a Story Featuring thoughts from Morten Gass of Bohren & der Club of Gore Consider, for a moment, the following: The acrid smoke from the last cigarette in my pack wafted up from the dim ember and mingled with a thin misting of steam rising up from the gutter. Each passing pair of headlights that crawled by on the street only briefly illuminated the grimy, rain-slick concrete sidewalk, but it was long enough to confidently take another step in the murky darkness. I reached up with my free hand — the one unencumbered by the the only stress reliever I could rely on anymore — and pulled the corners of my overcoat closer around me. At a guess, I had another handful of blocks before I would pass my apartment building stoop. Being the night that it was, though, meant that I would be passing right on by. After all, I had been hired to find her — and it was nearly midnight. Pulpy, ridden with time-tested noir tropes, but m

Goli Ručak Original title: Naked Lunch 1991 Not an adaptation of beat writer William S. Burrough's novel but a mix of biography and an interpretation of his drug- induced writing processes combined with elements of his work in this paranoid fantasy about Bill Lee, a writer who accidentally shoots his wife, whose typewriter transforms into a cockroach and who becomes involved in a mysterious plot in North African port called Interzone. Wonderfully bizarre, not unlike Burrough's books.... Plot Author Matching "Keith Loh <loh@sfu.ca>" (Sorted by Title Ascending) Naked Lunch (sometimes The Naked Lunch) is a 1959 novel by American writer William S. Burroughs. The book is structured as a series of loosely connected vignettes. Burroughs stated that the chapters are intended to be read in any order. The reader follows the narration of junkie William Lee, who takes on various aliases, from the U.S. to Mexico, eventually to Tangier and the dreamlike Interzone. The vignett

  СПОНТАНО САГОРЕВАЊЕ: "ВАЗНА"  Ко те је шта питао?! Зашто си се уопште умешао?! Никада више да ниси зуцнуо! Да се ниси померио!  Најбоље би било да замислиш да си ова вазна на столу! Јел' ти јасно керамико безвредна, да си барем кристална.. да, није ни битно да ли си он или она...може те и мачка случајно поломити, не би би  била велика штета!  Боље би ти било да волиш то пластично цвеће у себи а је ћу те питати...када будем одлучио да те питам! SPONTANEOUS COMBUSTION: "VASE"   Who asked you what?! Why did you even get involved?! Never say a word again! If you hadn't moved! It would be best to imagine that you are this vase on the table! Is it clear to you that ceramics are worthless, if you were at least crystal... yes, it doesn't even matter if you are him or her... a cat can accidentally break you, it wouldn't be a big pity! You better love those plastic flowers inside you and I will ask you...when I decide to ask you! Dobra Knjiga Predstavlja: NO

 Iggy Pop: "The Idiot" The Idiot is the debut studio album by American musician Iggy Pop, released on March 18, 1977, by RCA Records. After the break-up of his band the Stooges in 1974, Pop struggled with drug addiction. Although attempts to get sober proved unsuccessful, by 1976, he was ready to end his addiction. Pop accepted an invitation to accompany his friend David Bowie on his Isolar Tour. At the end of the tour, Pop agreed to join Bowie, also struggling with drug addiction, in moving to Europe to rid themselves of their addictions. The two settled into the Château d'Hérouville in Hérouville, where Bowie agreed to produce an album for Pop. James Newell Osterberg Jr. (born April 21, 1947), known professionally as Iggy Pop, is an American musician, singer, songwriter and actor. Designated the "Godfather of Punk", he was the vocalist and lyricist of influential proto-punk band The Stooges, who were formed in 1967 and have disbanded and reunited many times si

Bob Dylan - "Blood On The Tracks" Blood on the Tracks is the fifteenth studio album by American singer-songwriter Bob Dylan, released on January 20, 1975 by Columbia Records. The album marked Dylan's return to Columbia Records after a two-album stint with Asylum Records. Dylan began recording the album in New York City in September 1974. In December, shortly before Columbia was due to release the album, Dylan abruptly re-recorded much of the material in a studio in Minneapolis. The final album contains five tracks recorded in New York and five from Minneapolis. Blood on the Tracks initially received mixed reviews, but has subsequently been acclaimed as one of Dylan's greatest albums by both critics and fans. The songs have been linked to tensions in Dylan's personal life, including his estrangement from his then-wife Sara. One of their children, Jakob Dylan, has described the songs as "my parents talking". The album is considered an outstanding example o