is an American rock band founded in Los Angeles, California, first active from 1985 to 2001 and re-formed in 2014. Their longest standing lineup consists of Suzi Gardner (vocals, guitar), Donita Sparks (vocals, guitar), Dee Plakas (drums, vocals) and Jennifer Finch (bass, vocals). L7 has released seven studio albums and has toured widely in the US, Europe, Japan, Australia, and South America. "Pretend We're Dead" was heavily played on US alternative radio and entered the top 10 on the Billboard Modern Rock chart in 1992. Recognized for being simultaneously subversive and infused with humor, L7 is known for consistently delivering spirited live performances with physical, ferocious sets. Due to their sound and image, L7 is often associated with the grunge movement of the late 1980s and early 1990s; As an all-female band, L7 formed Rock for Choice in 1991 and have, at times, also been linked to riot grrrl, although they preceded and are outliers of both the grunge and riot grrrl movements. The band's name, L7, derives from a slang term for square, and was deliberately chosen as a gender neutral sign. A documentary film about the band, L7: Pretend We're Dead, premiered in 2016.
Bricks Are Heavy is the third studio album by American rock band L7, released on April 14, 1992 by Slash Records. The album peaked at number 160 on the US Billboard 2001 and number one on the Heatseekers Albums chart.
Bricks Are Heavy is a worthwhile album to have in your collection, "Shitlist" is a fantastic hard hitting song (also from the Natural Born Killers Soundtrack) ...
James Brown's Funky People is an outstandingly chunky collection that spotlights some of the many talented musicians associated with James Brown and his early- to mid-'70s People Records imprint. The material comprising this disc is split primarily between the J.B.'s, Fred Wesley both with and without the J.B.'s, and one of funk's original divas, Lyn Collins. "Gimme Some More," "Pass the Peas," "Givin' up Food for Funk (Part 1)," and "Hot Pants Road" are the J.B.'s' offerings, spectacular studio recordings that highlight some of the band's best material for the label -- material which at the time was often passed over in favor of their "proper" James Brown recordings. Fred Wesley, meanwhile, weighs in with the CD-only long version of "Damn Right, I Am Somebody (Parts 1 & 2)," before joining the J.B.'s on three more tracks, including the epic "(It's Not the Express) It's the J.B.'s Monaurail (Part 1)." This particular song, credited to Fred and the New J.B.'s, was recorded during one of the more traumatic times in the James Brown camp and, when compared to the other classics on this CD, doesn't have the same spark or fire. And if anyone questioned the odd spelling in the title, the band's request that if you don't know what a monorail is "check out Seattle" clears up any doubt. The Lyn Collins tracks feature a mono version of "Mama Feelgood" and the outstanding "Think (About It)," a song that would become an iconoclastic symbol of the funk era, heavily sampled by over 40 artists during the 1980s and 1990s. Included, too, is the bonus "Same Beat (Part 1)," recorded by Wesley and the J.B.'s on September 7, 1973, in New York.
The second volume of material compiled from James Brown's People Records label isn't quite as strong as the first, as it reaches for more obscurities -- but those obscurities can be interesting, especially Brown's collaboration with Hank Ballard on "From the Love Side." Again, Brown wrote (or co-wrote), arranged, and produced much of the material, appearing on vocals several times, and the J.B.'s are featured heavily, whether as a unit or with individual members stepping out as solo acts. The highlights are Bobby Byrd's two 1971 R&B hits, "I Know You Got Soul" and "Hot Pants -- I'm Coming, Coming, I'm Coming"; also featured are Marva Whitney, Lyn Collins, and Fred Wesley, among others.
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