среда, 7. јул 2021.

The Movie, Lesson About Life 34 / "Santa Sangre" (Official 4K UHD Trailer) - Directed by Alejandro Jodorowsky - horor - horror - надреализам - surréalisme - surrealism - авангарда - avant-garde

Santa Sangre (English: Holy Blood) is a 1989 avant-garde surreal horror film directed by Alejandro Jodorowsky and written by Jodorowsky along with Claudio Argento and Roberto Leoni. It stars Axel Jodorowsky, Adán Jodorowsky, Teo Jodorowsky, Blanca Guerra, Thelma Tixou, and Guy Stockwell. An international co-production of Mexico and Italy, the film is set in Mexico, and tells the story of Fenix, a boy who grew up in a circus and his struggle with childhood trauma. It is signed on Empire magazine's 2008 list of the 500 Greatest Movies of All Time...









"Fenix is a young man confined to a Mexican asylum where day after day doctors try to bring him out of his bewildered monkey-like mental state – his room is outfitted with a specifically tailored basket and a nine feet tall tree that he likes to sit in and he eats raw fish. From there we flash back to his childhood, a time where he grew up as a circus musician, who while living with his distant knife-throwing father Orgo and acrobat with a cult leader hobby mother Concha, finds only friends in both Aladdin and the clowns. Fenix’s young life starts to be thrown into turmoil over various major events: from watching his mother’s church bulldozed, to having a grandiose funeral for one of the circus’ elephants entailing a construction trash container sized coffin, to finally the dissolution of his parents’ marriage at the hands of Orgo’s affair with the circus’s tattooed-woman, and ending with the girl that he liked named Alma being taken away....







Best Albums Ever: Peter Tosh: "Mystic Man" - reggae - ska - rocksteady - R&B - 1979


"Peter Tosh, OM (born Winston Hubert McIntosh; 19 October 1944 – 11 September 1987) was a Jamaican reggae musician. Along with Bob Marley and Bunny Wailer, he was one of the core members of the band the Wailers (1963–1976), after which he established himself as a successful solo artist and a promoter of Rastafari. He was murdered in 1987 during a home invasion....







Having flirted with commercial acceptance on Bush Doctor, the former Wailers guitarist reasserted his cranky contrarian militancy on this album -- which is why he never reached the mega-stardom of his countryman Bob Marley. Unlike his old Wailers bandmate, Tosh had little interest in leavening his music's fiercely political bent, which effectively cemented his acquired-taste status (at least to American audiences). "Rumors of War" and "Fight On" explicitly address black majority rule in South Africa, a subject that few '70s artists even touched. Similarly, "Recruiting Soldiers" vows to physically round up enough fighters for the inevitable resistance, while "Jah She No" casts the poor's struggle to survive in stark, elemental terms ("Must righteous live in pain/And always look to shame?"). "Mystic Man" is a proud declaration of Tosh's lifestyle, which he pointedly contrasts against Western consumerist decadence (among other things, swearing off frankfurters, hamburgers, and any notions of drinking "pink, yellow, blue, green soda"). "Buk-in-hamm Palace is the biggest departure, building its outlaw theme of smoking marijuana in the Queen of England's home over a bubbling disco rhythm. It's easily the most accessible moment here, driven by Tosh's crack backup band of the time, Word, Sound & Power. There's no doubting Tosh's sincerity, though it sometimes founders in clichés and clunky lyric writing (like "Crystal Ball"'s coupling of "city" and "sh*tty"). From a strict songwriting viewpoint, Mystic Man isn't as distinctive as its predecessors, but a representative snapshot of Tosh's provocative artistry. "The Day the Dollar Die" is a roots classic, in which Tosh pleads his case for capitalism's demise over a shimmering pop-reggae groove -- proof he could craft compelling tunes to match his message.


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понедељак, 5. јул 2021.

The Movie, Lesson About Life 33 - Сталкер aka Stalker 1979 - Andrey Tarkovsky - FULL MOVIE - science fiction - naučna fantastika - la science-fiction - philosophical - psychological - futuristic - drama



Stalker (Russian: Сталкер, IPA: [ˈstaɫkʲer]) is a 1979 Soviet science fiction art drama film directed by Andrei Tarkovsky with a screenplay written by Arkady and Boris Strugatsky, loosely based on their 1972 novel Roadside Picnic. The film combines elements of science fiction with dramatic philosophical and psychological themes. 
The film tells the story of an expedition led by a figure known as the "Stalker" (Alexander Kaidanovsky), who takes his two clients—a melancholic writer (Anatoly Solonitsyn) seeking inspiration, and a professor (Nikolai Grinko) seeking scientific discovery—to a mysterious restricted site known simply as the "Zone", where there supposedly exists a room which grants a person's innermost desires. 
Stalker was released on Goskino in May 1979. Upon release, the film garnered mixed reviews, but in subsequent years it has been recognized as a classic of world cinema, with the British Film Institute ranking it #29 on its list of the "50 Greatest Films of All Time".[6] The film sold over 4 million tickets, mostly in the Soviet Union, against a budget of 1 million Soviet rubles...





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Recently restored, Andrei Tarkovsky's science-fiction masterpiece is "as necessary to the cinema as Mozart to music" (Gavin Millar, The Listener). Three men — the Writer, the Professor, and the Stalker — travel from a post-apocalyptic landscape into "The Zone," an area which the government declared off limits after a mysterious extraterrestrial event rendered it supposedly uninhabitable. Guided by the severe, shaven Stalker, the men navigate a treacherous landscape of shifting, invisible "traps," industrial debris, and subterranean passages to the threshold of the mysterious, wish-fulfilling room at the Zone's centre, which reveals (and, perhaps, materializes) one's deepest desires. Tarkovsky rarely achieved such an intense rendering of spiritual quest: the Christ imagery and intimations of Dante, the voluptuous sense of ruin, decay, and imminent catastrophe, the painterly references to Bosch, Rembrandt, and Flemish art, and the temps morts of dripping water, billowing fog, and slow wind all combine to make Stalker one of his most beautiful and mesmerizing films.


Andrei Tarkovsky’s final Soviet feature is a metaphys­ical journey through an enigmatic postapocalyptic landscape, and a rarefied cinematic experience like no other. A hired guide—the Stalker—leads a writer and a professor into the heart of the Zone, the restricted site of a long-ago disaster, where the three men eventually zero in on the Room, a place rumored to fulfill one’s most deeply held desires. Adapting a science-fiction novel by Arkady and Boris Strugatsky, Tarkovsky created an immersive world with a wealth of material detail and a sense of organic atmosphere. A religious allegory, a reflection of contemporaneous political anxieties, a meditation on film itself—Stalker envelops the viewer by opening up a multitude of possible meanings.




субота, 3. јул 2021.

Live Performance: Elvis Presley (1968) Comeback Special 50th Anniversary - Rock. Cllasic Rock. Country Rock. Blues. Soul. Gospel. R&B


 Elvis Presley 
(1968) 
Comeback Special 50th Anniversary




For his 1968 television special, Elvis Presley reunited with Scotty Moore and D.J. Fontana, his first backing musicians, for a raw “sit-down” performance of his earliest and most favorite songs, including his very first single, “That’s All Right.” Though it did not feature in the original broadcast, you can experience every moment from the taping on ’68 Comeback Special: 50th Anniversary Edition, the new 5CD/2BD box set available November 30.





Elvis Presley, in full Elvis Aaron Presley or Elvis Aron Presley (see Researcher’s Note), (born January 8, 1935, Tupelo, Mississippi, U.S.—died August 16, 1977, Memphis, Tennessee), American popular singer widely known as the “King of Rock and Roll” and one of rock music’s dominant performers from the mid-1950s until his death.


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SWANS: "To Be Kind" 2014 / Best Albums Ever / post rock - experimeltal rock

Swans are an American experimental rock band formed in 1982 by singer, songwriter and multi-instrumentalist, Michael Gira. One of few acts to emerge from the New York City-based no wave scene and stay intact into the next decade, Swans have become recognized for an ever-changing sound, exploring genres such as noise rock, post-punk, industrial and post-rock. Initially, their music was known for its sonic brutality and misanthropic lyrics. Following the addition of singer, songwriter and keyboardist Jarboe in 1986, Swans began to incorporate melody and intricacy into their music. Jarboe remained the band's only constant member except Gira and semi-constant guitarist Norman Westberg until their dissolution in 1997.

Swans (band) From Wikipedia, the free encyclopedia


Amazon / Swans: To Be Kind - Import. Digipack




KANTARION - Najmoćnije Biljke - Planeta Zemlja - antidepresiv

 Kantarion je od davnina svuda u svetu poznata lekovita biljka. Danas su veoma popularni biljni preparati na bazi kantariona. Pored toga što imaju različitu primenu u lečenju bolesti i tegoba, preparati od kantarinoa koriste se i u terapiji depresije.

Pa ipak, nova studija iz Australije navodi da prirodno nije uvek i sigurno. Koristeći različite izveštaje o terapijama kantarionom, istraživači su otkrili neželjene reakcije slične onima koje se javljaju usled upotrebe antidepresiva fluoksetina (prozak): anksioznost, napadi panike, vrtoglavica, mučnina i problemi sa krvnim pritiskom.

Istraživanja pokazuju da kantarion može olakšati blagu do umerenu depresiju, ali je problem u tome što ljudi, verujući da prirodnim preparatom rešavaju sve probleme, stvaraju sebi rizik za veće probleme. Istraživanja pokazuju i da preparati sa oznakom prirodno ili biljno u sebi sadrže sastojke koji mogu imati loš uticaj na naš organizam, a medicinski radnici upozoravaju na moguće komplikacije kada se kantarion koristi sa nekim drugim lekovima.

Pogrešno je mišljenje da je sve što se nalazi u prodavnicama zdrave hrane totalno bezopasno i sigurno za naš organizam. Nedostatak svesti kod ljudi još uvek je veliki problem.

Kantarion kao Antidepresiv - Krstarica




Kantarion je prirodini najefikasniji antidepresiv i idealan je za poboljšanje raspoloženja. U zemljama zapadne evrope deci se prepisuje kantarion za tretiranje blažih oblika depresije, a dokazano je da njegova lekovita svojstva imaju sposobnost prodiranja do krvnomoždane barijere.

On pospešuje proizvodnju serotonina u organizmu. Neke studije su dokazale da koncentrati kantariona imaju jednako dejstvo kao i medikamenti farmakoloških antidepresiva.

Takođe, pored blagotvornog dejstva na stanaj depresije, kantarion jednako dobro utiče u smanjivanju osećaja anksioznosti, opsesivno-kompulsivnih poremećaja, pa čak i alkoholizma.

Ipak, imajte u vidu da ne smete prekoračiti unos koncentrata ove biljke. Neželjena dejstva mogu se javiti u obliku stomačnih tegoba, alergijskih reakcija, nemir i anksioznost.

U nekim ekstremnim situacijama može doći čak i do seotoninskog sindroma što uzrokuje konfuziju, halucinacije, groznicu i tremor.





петак, 2. јул 2021.

Alice Coltrane - Journey in Satchidananda | Best Albums Ever / Jazz - Avantgarde Jazz

Provided to YouTube by Universal Music Group

Journey In Satchidananda · Alice Coltrane · Pharoah Sanders

℗ A Verve Label Group Release; ℗ 1971 UMG Recordings, Inc.

Released on: 1997-01-01

Producer: Ed Michel
Producer: Alice Coltrane
Studio  Personnel, Recording  Engineer: Roy Musgnug
Studio  Personnel, Recording  Engineer: Orville O'Brien
Associated  Performer, Percussion: Pharoah Sanders
Associated  Performer, Tambura: Tulsi
Associated  Performer, Upright  Bass: Cecil McBee
Associated  Performer, Bells, Tambourine: Majid Shabazz
Associated  Performer, Drums: Rashied Ali
Composer: Alice Coltrane

Auto-generated by YouTube.




"Alice Coltrane's landmark Journey to Satchidananda reveals just how far the pianist and widow of John Coltrane had come in the three years after his death. The compositions here are wildly open and droning figures built on whole tones and minor modes. And while it's true that one can definitely hear her late husband's influence on this music, she wouldn't have had it any other way. Pharoah Sanders' playing on the title cut, "Shiva-Loka," and "Isis and Osiris" (which also features the Vishnu Wood on oud and Charlie Haden on bass) is gloriously restrained and melodic. Coltrane's harp playing, too, is an element of tonal expansion as much as it is a modal and melodic device. With a tamboura player, Cecil McBee on bass, Rashied Ali on drums, and Majid Shabazz on bells and tambourine, tracks such as "Stopover Bombay" and the D-minor, modally drenched "Something About John Coltrane" become an exercise in truly Eastern blues improvisation. Sanders plays soprano exclusively, and the interplay between it and Coltrane's piano and harp is mesmerizing. With the drone factor supplied either by the tamboura or the oud, the elongation of line and extended duration of intervallic exploration is wondrous. The depths to which these blues are played reveal their roots in African antiquity more fully than any jazz or blues music on record, a tenet that exists today, decades after the fact. One last note, the "Isis and Osiris" track, which was recorded live at the Village Gate, features some of the most intense bass and drum interplay -- as it exists between Haden and Ali -- in the history of vanguard jazz. Truly, this is a remarkable album, and necessary for anyone interested in the development of modal and experimental jazz. It's also remarkably accessible.... 




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