Armando Anthony "Chick" Corea (June 12, 1941 – February 9, 2021) was an American jazz composer, keyboardist, bandleader, and occasional percussionist. His compositions "Spain", "500 Miles High", "La Fiesta", "Armando's Rhumba" and "Windows" are widely considered jazz standards. As a member of Miles Davis's band in the late 1960s, he participated in the birth of jazz fusion. In the 1970s he formed Return to Forever.[4] Along with McCoy Tyner, Herbie Hancock, and Keith Jarrett, Corea is considered one of the foremost jazz pianists of the post-John Coltrane era.
Recorded over a year after Chick Corea's debut Tones for Joan's Bones -- a record cut in late 1966 but not appearing until 1968 -- Now He Sings, Now He Sobs feels like his true first album, the place where he put all the pieces in motion for his long, adventurous career...
The strangest and most disturbing of the films Ingmar Bergman shot on the island of Fårö, Hour of the Wolf stars Max von Sydow as a haunted painter living in voluntary exile with his wife (Liv Ullmann). When the couple are invited to a nearby castle for dinner, things start to go wrong with a vengeance, as a coven of sinister aristocrats hastens the artist’s psychological deterioration. This gripping film is charged with a nightmarish power rare in the Bergman canon, and contains dreamlike effects that brilliantly underscore the tale’s horrific elements.
The Hour of the Wolf" is the hour between night and dawn. It is the hour when most people die. It is the hour when the sleepless are haunted by their deepest fear, when ghosts and demons are most powerful.
Hour of the Wolf (Swedish: Vargtimmen, lit. 'The Wolf Hour') is a 1968 Swedish psychological horror[n 1] film directed by Ingmar Bergman and starring Max von Sydow and Liv Ullmann. The story explores the disappearance of fictional painter Johan Borg (von Sydow), who lived on an island with his wife Alma (Ullmann) while plagued with frightening visions and insomnia.
Bergman originally conceived much of the story as part of an unproduced screenplay, The Cannibals, which he abandoned to make the 1966 film Persona. He took inspiration from Wolfgang Amadeus Mozart's 1791 opera The Magic Flute and E. T. A. Hoffmann's 1814 novella The Golden Pot, as well as some of his own nightmares. Principal photography took place at Hovs Hallar, Stockholm and Fårö.
Themes include insanity, particularly as experienced by an artist, sexuality, and relationships, conveyed in a surreal style and with elements of folklore. Analysts have found allusions to vampire and werewolf legend. Authors have also connected the work to Bergman's life and his relationship with Ullmann; Bergman said he was experiencing his own "hour of the wolf" when he conceived the story.
The film was initially met with negative reviews in Sweden. In later years Hour of the Wolf received generally positive reviews and was ranked one of the 50 greatest films ever made in a 2012 directors' poll by the British Film Institute. The film was followed by Bergman's thematically related films Shame (1968) and The Passion of Anna (1969). Ullmann won awards in 1968 for her performances in both Hour of the Wolf and Shame.
Irena Bijelich Gorenjak (1972, Belgrade, Serbia) makes paintings and mixed media artworks. By applying abstraction, Bijelich tries to approach a wide scale of subjects in a multi-layered way by using a large number of materials sand, stone, plaster, zeolite, earth, pigment, paper, canvas, acrylic, oil...She likes to involve the viewer in a way that is sometimes physical and believes in the idea of function following form in a work. Her paintings directly respond to the surrounding environment and uses experiences from the artist as a starting point.Often these are framed instances that would go unnoticed in their original context like hole, crater, circle, cracks, cleft...By exploring the concept of landscape in a nostalgic way, she creates intense personal moments masterfully created by means of rules and omissions, acceptance and refusal, luring the viewer round and round in circles.
Her works establish a link between the landscape’s reality and that imagined by its conceiver.These works focus on concrete questions that determine our existence.With a conceptual approach, she investigates the dynamics of landscape, including the manipulation of its effects and the limits of spectacle based on our assumptions of what landscape means to us.Rather than presenting a factual reality, an illusion is fabricated to conjure the realms of our imagination.
Her works doesn’t reference recognisable form.The results are deconstructed to the extent that meaning is shifted and possible interpretation becomes multifaceted.By rejecting an objective truth and global cultural narratives, she creates with daily, recognizable elements, an unprecedented situation in which the viewer is confronted with the conditioning of his own perception and has to reconsider his biased position. Her work urge us to renegotiate painting as being part of a reactive or – at times – autistic medium, commenting on oppressing themes in our contemporary society.
She is also an icon painter
Education
graduated at Academy of Fine Arts - Belgrade - Serbia 2001
Exhibitions
eight solo exhibitions and more than 30 group exhibitions.
is an American rock band founded in Los Angeles, California, first active from 1985 to 2001 and re-formed in 2014. Their longest standing lineup consists of Suzi Gardner (vocals, guitar), Donita Sparks (vocals, guitar), Dee Plakas (drums, vocals) and Jennifer Finch (bass, vocals). L7 has released seven studio albums and has toured widely in the US, Europe, Japan, Australia, and South America. "Pretend We're Dead" was heavily played on US alternative radio and entered the top 10 on the Billboard Modern Rock chart in 1992. Recognized for being simultaneously subversive and infused with humor, L7 is known for consistently delivering spirited live performances with physical, ferocious sets. Due to their sound and image, L7 is often associated with the grunge movement of the late 1980s and early 1990s; As an all-female band, L7 formed Rock for Choice in 1991 and have, at times, also been linked to riot grrrl, although they preceded and are outliers of both the grunge and riot grrrl movements. The band's name, L7, derives from a slang term for square, and was deliberately chosen as a gender neutral sign. A documentary film about the band, L7: Pretend We're Dead, premiered in 2016.
Bricks Are Heavy is the third studio album by American rock band L7, released on April 14, 1992 by Slash Records. The album peaked at number 160 on the US Billboard 2001 and number one on the Heatseekers Albums chart.
Bricks Are Heavy is a worthwhile album to have in your collection, "Shitlist" is a fantastic hard hitting song (also from the Natural Born Killers Soundtrack) ...
James Brown's Funky People is an outstandingly chunky collection that spotlights some of the many talented musicians associated with James Brown and his early- to mid-'70s People Records imprint. The material comprising this disc is split primarily between the J.B.'s, Fred Wesley both with and without the J.B.'s, and one of funk's original divas, Lyn Collins. "Gimme Some More," "Pass the Peas," "Givin' up Food for Funk (Part 1)," and "Hot Pants Road" are the J.B.'s' offerings, spectacular studio recordings that highlight some of the band's best material for the label -- material which at the time was often passed over in favor of their "proper" James Brown recordings. Fred Wesley, meanwhile, weighs in with the CD-only long version of "Damn Right, I Am Somebody (Parts 1 & 2)," before joining the J.B.'s on three more tracks, including the epic "(It's Not the Express) It's the J.B.'s Monaurail (Part 1)." This particular song, credited to Fred and the New J.B.'s, was recorded during one of the more traumatic times in the James Brown camp and, when compared to the other classics on this CD, doesn't have the same spark or fire. And if anyone questioned the odd spelling in the title, the band's request that if you don't know what a monorail is "check out Seattle" clears up any doubt. The Lyn Collins tracks feature a mono version of "Mama Feelgood" and the outstanding "Think (About It)," a song that would become an iconoclastic symbol of the funk era, heavily sampled by over 40 artists during the 1980s and 1990s. Included, too, is the bonus "Same Beat (Part 1)," recorded by Wesley and the J.B.'s on September 7, 1973, in New York.
The second volume of material compiled from James Brown's People Records label isn't quite as strong as the first, as it reaches for more obscurities -- but those obscurities can be interesting, especially Brown's collaboration with Hank Ballard on "From the Love Side." Again, Brown wrote (or co-wrote), arranged, and produced much of the material, appearing on vocals several times, and the J.B.'s are featured heavily, whether as a unit or with individual members stepping out as solo acts. The highlights are Bobby Byrd's two 1971 R&B hits, "I Know You Got Soul" and "Hot Pants -- I'm Coming, Coming, I'm Coming"; also featured are Marva Whitney, Lyn Collins, and Fred Wesley, among others.
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Keywords: Ishod Na Nišanu, Geometric Body ,Corps géométrique, New Book, Nova Knjiga, Book of Poetry, Knjiga Poezije, Literature Posts, Književnost, Literatura, poetry lovers, poetry is not dead, poetry community, Thanks foCuerpo geométrico, r Readingsebastian sava gor. poezija koja diše, čitaj poeziju, smiri se poezijom, poezija koja se čita, Zbirka Poezije, Sava Gor, Poezija, poetry lovers, poetry is not dead, Book, Poetry Collection, Literatura, Literature, Literature Posts, Književnost, Knjiga Poezije, poetry, poésie, поэзия, poesie, čitaj poeziju, pesme, un livre, poésie, collection of poetry. un recueil de poésie, poetry that breathes, read poetry, calm down with poetry, poetry that is read, , poezija, poetry, read poetry, poems, a book, poetry, collection of poetry. a poetry collection, књига, поезија,себастиан Сава гор. поезија која дише, читај поезију, смири се поезијом, поезија која се чита, Збирка Поезије, Сава Гор, Поезија, љубитељи поезије, поезија није мртва, Књига, Песничка збирка, Литература, Књижевност, Књижевни постови, Књижевност, Књига Поезије, читај поезију, песме, збирка поезије. Ishod Na Nišanu, New Book, Nova Knjiga, Book of Poetry, KNjiga Poezije, LiteraturePosts, Književnost, Literatura, poetry lovers, poetry is not dead, poetry community,Тачка и Дуж, Point and Length, Point et longueur, Beloglavi Sup, Vautour fauve Ishod Na Meti: "Zbir" 21 Outcome On Target: "Sum" 21 Résultat sur la cible : "Somme" 21