Sebastian Sava Gor

Solaris Solaris (Russian: Солярис, tr. Solyaris) is a 1972 Soviet science fiction art film based on Stanisław Lem's 1961 novel of the same name. The film was co-written and directed by Andrei Tarkovsky, and stars Donatas Banionis and Natalya Bondarchuk. The electronic music score was performed by Eduard Artemyev; a composition by J.S. Bach is also employed. The plot centers on a space station orbiting the fictional planet Solaris, where a scientific mission has stalled because the skeleton crew of three scientists have fallen into emotional crises. Psychologist Kris Kelvin (Banionis) travels to the station in order to evaluate the situation, only to encounter the same mysterious phenomena as the others. The film was Tarkovsky's attempt to bring a new emotional depth to science fiction films; he viewed most western works in the genre as shallow due to their focus on technological invention. Solaris won the Grand Prix Spécial du Jury at the 1972 Cannes Film Festival and was nomin

Joy Division:     "Unknown Pleasures"  Unknown Pleasures is the debut studio album by English rock band Joy Division, released on 15 June 1979 by Factory Records. The album was recorded and mixed over three successive weekends at Stockport's Strawberry Studios in April 1979, and was produced by Martin Hannett, who incorporated a number of unconventional production techniques into the group's sound. The cover artwork was designed by artist Peter Saville, using a data plot of signals from a radio pulsar. It is the only Joy Division album released during lead singer Ian Curtis's lifetime. Factory Records did not release any singles from Unknown Pleasures, and the album did not chart despite the relative success of the group's non-album debut single "Transmission". It has since received sustained critical acclaim as an influential post-punk album, and has been named as one of the best albums of all time by publications such as NME, AllMusic, Select, Roll

Fuente y caudal (translated in English as Source and Flow) is the ninth studio album by the Spanish composer and guitarist Paco de Lucía. Tracklisting: "Entre dos aguas" (Rumba) – 5:59 "Aires choqueros" (Fandangos de Huelva) – 4:14 "Reflejo de luna" (Granaína) – 3:53 "Solera" (Bulerías por Soleá) – 3:41 "Fuente y caudal" (Taranta) – 5:13 "Cepa Andaluza" (Bulería) – 5:46 "Los Pinares" (Tangos) – 3:33 "Plaza de San Juan" (Alegrías) – 3:12 Francisco Gustavo Sánchez Gómez (21 December 1947 – 25 February 2014), known as Paco de Lucía (IPA: [ˈpako ðe luˈθi.a]), was a Spanish virtuoso flamenco guitarist, composer, and record producer. A leading proponent of the new flamenco style, he was one of the first flamenco guitarists to branch into classical and jazz. Richard Chapman and Eric Clapton, authors of Guitar: Music, History, Players, describe de Lucía as a "titanic figure in the world of flamenco guitar"

  NIŠTARIJA  -  Znaš šta Petroviću, M. Petrovtrovću, više mi te je dosta! – pomisli Petrović besno u sebi.  - Ti Petroviću - nastavi Petrović sa srdžbom misliti u sebi o samome sebi – Ti Petroviću nemaš ništa i obična si ništarija. Kako misliš da te ljudi poštuju i uvažavaju?! Ti bi od sebe i ogledalo trebalo da sklanjaš. I hajde, uradi ti gospodine, nešto, bilo šta, dostojno poštovanja. Delo ali ne malo delo...već takvo, da na nekoga ostavi utisak... Šta!? Veština je potrebna, a ti kao da nemaš nikakvih veština!  - E moj Petroviću, a jel’ roditelje poštuješ? Ne! Tako je... svako ima svoje razloge. Pa šta si ti? Čovek? A ljubav? Ne, ja ne mrzim ama baš nikoga. A koga volim? Da vidimo, volim pokojnu bakicu. Uh! Petroviću... ostao si sam! Sam samcit! Ti i nemaš razloga, da se bilo kome, pokazuješ i dokazuješ. Raspusti se, pijanči, kockaj se čoveče!  - Ne, ne... Neće ići tako lako! – Petrović pri ovoj pomisli podiže prst u vazduh i kao da preti svojim mislima, ukori samoga sebe, micanjem

Baltimore is the fourteenth studio album by American singer-songwriter and pianist Nina Simone, released in January 1978 by CTI Records. Nina Simone was signed to CTI Records after the veteran jazz producer Creed Taylor saw her perform live in 1977 at Drury Lane, and together they would record "Baltimore," Simone's first album since 1974's It Is Finished. Eunice Kathleen Waymon (February 21, 1933 – April 21, 2003), known professionally as Nina Simone, was an American singer, songwriter, musician, arranger, and civil rights activist. Her music spanned a broad range of musical styles including classical, jazz, blues, folk, R&B, gospel, and pop. The sixth of eight children born to a poor family in Tryon, North Carolina, Simone initially aspired to be a concert pianist.[1] With the help of a few supporters in her hometown, she enrolled in the Juilliard School of Music in New York City.[2] She then applied for a scholarship to study at the Curtis Institute of Music in

  The New Serbian Icon Painting,  Mijalko Djunisijevic - Scribd Art critique - offer of exhibition, with last work, icons, of my friend, modern Orthodox icon painter from Čačak and Belgrade, Serbia, Mijalko Djunisijevic, 45, who modernized icon, working very interesting with colors. We offer, this his exhibition now to different galleries in Belgrade and abroad / but only with little donation because we both can not make it alone/. Curator and organizer of exhibition is my design studio STUDIO JI, Belgrade. Slikane ikone jajčanom temperom na drvenim pločama, izrada slavskih ikona, slikanje ikona na... Prodavnica Ikona Mijalko Djunisijevic

  EKSER T.P. je u potpunoj dokolici ušao u svoju ostavu. Dugo nije bio u tom delu svog stana, rešio je je da malo pospremi po kući. Pod sijalicom koja je treptala, videlo se dosta prašine i paučine. Razbacane alatke su pokrile pločice, čekić, klješta, stara šmirgla, kantica sa skorelom bojom i četkom u njoj, svašta...  T. P. kao što je najednom dobio, tako najednom i izgubi volju da pospremi svoju ostavu. Taman da ugasi sijalicu koja mu je smetala i odavno bila za bacanje, on ugleda veliki ekser, jedan od onih za spoljnu građu i za beton. T.P uze ekser, malo šmirgle , ugasi svetlo i zatvori vrata ostave. Vrativši se u dnevnu sobu T.P. poče polako šmirgluckati ekser. Kada se ekser zasijao T.P. je izgledao veoma zadovoljno. Spustio je ekser na sto i rešio da legne malo ranije. Ekser je ostavio kao ukras, na komodici, on je predstavljao "delo" dana. Bio je zadovoljan svojim učinkom.      Legao je, ugasio je svetlo i u krevetu je zamišljao kako izgledaju dok vode seks, njegove om