Sebastian Sava Gor

Spontano Sagorevanje:  "Pomirio se sa "Sudbinom" 38  M. Kostić je pisao za par časopisa. Kako su se vremena menjala, on je sa nekako, spao na to, da piše samo za jedan časopis.  Opet nakon nekog vremena, Kostiću je saopšteno, da će on, samo s’ vremena na vreme, objavljivati svoje tekstove. Kostić je pokušao da piše nešto i sam, ali on nije bio takva vrsta pisca, oduvek je radio u kancelariji, okružen ljudima i na kraju krajeva, uvek su mu bile zadate teme, o kojima će pisati tako da on, prosto rečeno, kod kuće nije mogao da napiše ni jedno slovo.  M. Kostić i Gospođa Kostić, su nakon ovoga, ostali na jednoj, njenoj, mesečnoj, minimalnoj plati. Kostić je razumeo šta se oko njega dešava, ali na žalost, njemu nije uspelo da se ukomponuje u novi svet oko sebe. On je, da opet ne dužimo, bio od onih ljudi koji se veoma spetljaju, kada treba upotrebiti npr. moderni mobilni telefon ili daljinski od televizora, a svi znamo da takvih ima.  Kostić je postao veoma zatvoren, namršten

Bon Iver:  "For Emma, Forever Ago"  (2007) "For Emma, Forever Ago is the debut studio album by American indie folk band Bon Iver. It was first self-released in July 2007, and later saw wide release on the Jagjaguwar label in February 2008. The album is principally the work of singer-songwriter Justin Vernon. While living in Raleigh, North Carolina, Vernon fell ill with mononucleosis and a liver infection, and grew frustrated with his songwriting and life. He left Raleigh and drove to his father's remote hunting cabin an hour northwest of his hometown, Eau Claire, Wisconsin, hoping to be alone. The album was recorded at the cabin between late 2006 to early 2007. Vernon abandoned his old songwriting methods and instead focused on wordless melodies that he later set to words, which he felt evoked a more subconscious meaning.  The record's lyrical subjects include lost love and mediocrity. His folk-infused songs include heavy choral arrangements, featuring Vernon'

  Ishod Na Nišanu: " Nezamisliv Početak, Nezamisliv Kraj"  Ovo izgleda neobično,  Sve jedno drugom    slično, Po tom principu,  Vračevi su se polako, učili, svojoj magijskoj veštini, Kada pada, zvezda padalica i kada se zamisli ružna želja, Koristi se tuđa slaba volja i zamena identiteta, Sredinu su neki otkrili, drugi ništa nisu shvatili, Ostaje i ostaće… Nezamisliv početak i nezamisliv kraj… ⚓ EN: Unimaginable beginning, Unimaginable End This looks weird,  Everything is similar to each other, According to that principle,  The sorcerers were slowly learning their magic skills, When it falls, a shooting star and when an ugly wish is imagined, Someone else's weak will and change of identity is used, Some discovered the middle, others didn't understand anything, Remains and will remain… Unimaginable beginning and unimaginable end… ⚓ FR: Résultat sur la cible Début inimaginable et fin inimaginable Cela a l'air bizarre, Tout semblable les uns aux autres, Selon ce prin

LIVE:  Howlin' Wolf  Killing Floor  (1964) "Killing Floor" is a 1964 song by American blues singer-songwriter and guitarist Howlin' Wolf. Called "one of the defining classics of Chicago electric blues",["Killing Floor" became a blues standard with recordings by various artists. It has been acknowledged by the Blues Foundation Hall of Fame, which noted its popularity among rock as well as blues musicians. English rock group Led Zeppelin adapted the song for their "The Lemon Song", for which Howlin' Wolf is named as a co-author. Howlin' Wolf recorded "Killing Floor" in Chicago in August 1964, which Chess Records released as a single.According to blues guitarist and longtime Wolf associate Hubert Sumlin, the song uses the killing floor – the area of a slaughterhouse where animals are killed – as a metaphor or allegory for male-female relationships: "Down on the killing floor – that means a woman has you down, she went

 Miloš Filopović - Fića  "Besmrtnost Kao Nadahnuće" Gužva pritisla zvezdarsku galeriju „Ark”. Umetnik Miloš Filipović Fića slušao je slovo o svojoj izložbi, pa kad je dat znak da je otvorena, on se u trenu probi kroz masu, zgrabi stolicu privučenu uz sto i hitro na nju skoči. „Ovako vas sve vidim, a i vi ćete mojih nekoliko rečenica bolje da čujete i zapamtite”, oceni autor, zatim, kao da je posredi predstava, dlanove nasloni na grudi, i onda ih raširi ka svojim poštovaocima. „Evo, darujem vam srce. Uzmite ga i uživajte u ovoj radosti”, poručio je slikar, potvrđujući tako da njegova dela nose u sebi i finu poetiku. Filipović je, između ostalog, poručio da njegove slike posmatrač slobodno može da doživi na način kako lično želi i oseća, bez potrebe da to smatra intelektualnom autorovom atrakcijom.... Postavka nosi naziv „Besmrtnost”. Radovi svojim nazivima otvaraju priče koje mogu da se u grade mašti „Duh diše gde hoće” „Vera, Ljubav, Nada i topla čokolada”, „Vremeplov”, „Ne b

 Tom Waits   "Mule Variations"  (1999) Thomas Alan Waits (born December 7, 1949) is an American musician, composer, songwriter and actor. His lyrics often focus on the underbelly of society and are delivered in his trademark deep, gravelly voice. He worked primarily in jazz during the 1970s, but his music since the 1980s has reflected greater influence from blues, rock, vaudeville, and experimental genres. Waits was born and raised in a middle-class family in Pomona, California. Inspired by the work of Bob Dylan and the Beat Generation, he began singing on the San Diego folk music circuit as a teenager. He relocated to Los Angeles in 1972, where he worked as a songwriter before signing a recording contract with Asylum Records. His first albums were the jazz-oriented Closing Time (1973) and The Heart of Saturday Night (1974), which reflected his lyrical interest in nightlife, poverty, and criminality. He repeatedly toured the United States, Europe, and Japan, and attracted gre

Ishod Na Nišanu: "Termodinamička Kontrola"  Termodinamička Kontrola me posmatra sa krova, Stojim u redu i sve podnosim, Neko me udara čekićem u glavu, Ništa ne osećam, Red se zaglavio na ulazu,  Zato se stvorio čep i na izlazu, Stvari su postale komplikovane, Cipele su mi pune vode, Pantalone su mi se srozale, I dalje sam u redu, gledam u nečiji potiljak, Čovek ima na temenu ožiljak, Stojim i još uvek čekam, Radoznalost i znatiželja su na tački ključanja i plamenog udara, Samo šta? Šta čekam? Toliko dugo stojim... Sve oko sebe neprekidno brojim i pomešao sam sve, Zaboravio sam i sebe, Ostalo je to maglovito sećanje.. Sasvim neočekivano, Nema više reda, nema potiljka,  Najedanput nigde nikoga... Ispred se mene se puši, crna zgrada, sva u rupama... Termodinamička kontrola. Ladniji sam od leda, Srce kao da ne kuca, Mentalni kameleon u meni je i ovog puta uspeo i utekao...  Outcome On Gunpoint: "Thermodynamic Control" Thermodynamic control is watching me from the roof I