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Best Albums Ever: Bob Dylan - "Blood On The Tracks" - blues, blues-rock, folksrock, gospel, country, traditional, pop, vocal, jazz

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Bob Dylan - "Blood On The Tracks" Blood on the Tracks is the fifteenth studio album by American singer-songwriter Bob Dylan, released on January 20, 1975 by Columbia Records. The album marked Dylan's return to Columbia Records after a two-album stint with Asylum Records. Dylan began recording the album in New York City in September 1974. In December, shortly before Columbia was due to release the album, Dylan abruptly re-recorded much of the material in a studio in Minneapolis. The final album contains five tracks recorded in New York and five from Minneapolis. Blood on the Tracks initially received mixed reviews, but has subsequently been acclaimed as one of Dylan's greatest albums by both critics and fans. The songs have been linked to tensions in Dylan's personal life, including his estrangement from his then-wife Sara. One of their children, Jakob Dylan, has described the songs as "my parents talking". The album is considered an outstanding example o

BELA MAČKA: "Pogledaj Me" 09 / Zbirka Poezije | poezija | poetry | poésie

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  Pogledaj Me Očaj zlokobni um ti pomračio i praznina alava zube ti rasipa, Crv maligni se u tebi nastanio, Mraz u srcu odavno ti oči zapaljene zatvara, Gmizavac je postala tvoja duša, Škorpija nema otrova kojim bi tvoj otrovni jezik nadjačala, Nosiš strah u sebi pakleni, zarazu vekovima dojenu, Ljudski si otpad i ljudske krvi žedan.   Majka te je nežno podizala, ti se kao zver uspravi. *  Strašna će biti noć tvog pada, Neljudski će biti slušati urlik tvog bola, Okove i tamnicu priprema ti tvoja sorta, Pacov zarazan biće ti najbolji prijatelj, Sve dok se njegovim mesom ne budeš počastio.   Pogledaj me, Neka se od tvog pogleda ako želiš na meni rane vrele otvore, Pogledaj me, Možda će mi se od tuge grudi pocepati, Pogledaj me, Zauvek ćeš time sebe promeniti. Sebastian Sava Gor

Best Albums Ever: Neil Young - Harvest 1972 (Remastered Version) rock folk-rock country-rock experimental-rock hard-rock

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 Neil Young - Harvest Harvest is the fourth studio album by Canadian / American musician Neil Young, released in February 1972 on Reprise Records, catalogue number MS 2032. It featured the London Symphony Orchestra on two tracks and vocals by noted guests David Crosby, Graham Nash, Linda Ronstadt, Stephen Stills, and James Taylor. It topped the Billboard 200 album chart for two weeks, and spawned two hit singles, "Old Man", which peaked at No. 31 on the Billboard Hot 100, and "Heart of Gold", which reached No. 1. It was the best-selling album of 1972 in the United States. Neil Percival Young OC OM (born November 12, 1945) is a Canadian singer-songwriter, musician, and activist. After embarking on a music career in Winnipeg in the 1960s, Young moved to Los Angeles, joining Buffalo Springfield with Stephen Stills, Richie Furay and others. Since the beginning of his solo career with his backing band Crazy Horse, Young has released many critically acclaimed and importan

The Movie, Lesson About Life - 38 Andrei Tarkovsky: Solaris drama - sc-fi

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Solaris Solaris (Russian: Солярис, tr. Solyaris) is a 1972 Soviet science fiction art film based on Stanisław Lem's 1961 novel of the same name. The film was co-written and directed by Andrei Tarkovsky, and stars Donatas Banionis and Natalya Bondarchuk. The electronic music score was performed by Eduard Artemyev; a composition by J.S. Bach is also employed. The plot centers on a space station orbiting the fictional planet Solaris, where a scientific mission has stalled because the skeleton crew of three scientists have fallen into emotional crises. Psychologist Kris Kelvin (Banionis) travels to the station in order to evaluate the situation, only to encounter the same mysterious phenomena as the others. The film was Tarkovsky's attempt to bring a new emotional depth to science fiction films; he viewed most western works in the genre as shallow due to their focus on technological invention. Solaris won the Grand Prix Spécial du Jury at the 1972 Cannes Film Festival and was nomin

Best albums Ever: Joy Division - Unknown Pleasures (2019 Digital Mastering) - 180 Gram Vinyl - post-punk, gothic-rock, new wave

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Joy Division:     "Unknown Pleasures"  Unknown Pleasures is the debut studio album by English rock band Joy Division, released on 15 June 1979 by Factory Records. The album was recorded and mixed over three successive weekends at Stockport's Strawberry Studios in April 1979, and was produced by Martin Hannett, who incorporated a number of unconventional production techniques into the group's sound. The cover artwork was designed by artist Peter Saville, using a data plot of signals from a radio pulsar. It is the only Joy Division album released during lead singer Ian Curtis's lifetime. Factory Records did not release any singles from Unknown Pleasures, and the album did not chart despite the relative success of the group's non-album debut single "Transmission". It has since received sustained critical acclaim as an influential post-punk album, and has been named as one of the best albums of all time by publications such as NME, AllMusic, Select, Roll

Best Albums Ever: Paco De Lucía Fuente Y Caudal (1973) flamenco classical jazz

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Fuente y caudal (translated in English as Source and Flow) is the ninth studio album by the Spanish composer and guitarist Paco de Lucía. Tracklisting: "Entre dos aguas" (Rumba) – 5:59 "Aires choqueros" (Fandangos de Huelva) – 4:14 "Reflejo de luna" (Granaína) – 3:53 "Solera" (Bulerías por Soleá) – 3:41 "Fuente y caudal" (Taranta) – 5:13 "Cepa Andaluza" (Bulería) – 5:46 "Los Pinares" (Tangos) – 3:33 "Plaza de San Juan" (Alegrías) – 3:12 Francisco Gustavo Sánchez Gómez (21 December 1947 – 25 February 2014), known as Paco de Lucía (IPA: [ˈpako ðe luˈθi.a]), was a Spanish virtuoso flamenco guitarist, composer, and record producer. A leading proponent of the new flamenco style, he was one of the first flamenco guitarists to branch into classical and jazz. Richard Chapman and Eric Clapton, authors of Guitar: Music, History, Players, describe de Lucía as a "titanic figure in the world of flamenco guitar"

SPONTANO SAGOREVANJE: "Ništarija" 19 | Zbirka Kratkih Priča | kratka priča, short story, histoire courte, nadrealizam, teatar apsurda, surréalisme. théâtre de l'absurde, theater of the absurd, iracionalizam, avantgarde, avangarda, irrationalism, irrationalisme

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  NIŠTARIJA  -  Znaš šta Petroviću, M. Petrovtrovću, više mi te je dosta! – pomisli Petrović besno u sebi.  - Ti Petroviću - nastavi Petrović sa srdžbom misliti u sebi o samome sebi – Ti Petroviću nemaš ništa i obična si ništarija. Kako misliš da te ljudi poštuju i uvažavaju?! Ti bi od sebe i ogledalo trebalo da sklanjaš. I hajde, uradi ti gospodine, nešto, bilo šta, dostojno poštovanja. Delo ali ne malo delo...već takvo, da na nekoga ostavi utisak... Šta!? Veština je potrebna, a ti kao da nemaš nikakvih veština!  - E moj Petroviću, a jel’ roditelje poštuješ? Ne! Tako je... svako ima svoje razloge. Pa šta si ti? Čovek? A ljubav? Ne, ja ne mrzim ama baš nikoga. A koga volim? Da vidimo, volim pokojnu bakicu. Uh! Petroviću... ostao si sam! Sam samcit! Ti i nemaš razloga, da se bilo kome, pokazuješ i dokazuješ. Raspusti se, pijanči, kockaj se čoveče!  - Ne, ne... Neće ići tako lako! – Petrović pri ovoj pomisli podiže prst u vazduh i kao da preti svojim mislima, ukori samoga sebe, micanjem