Sebastian Sava Gor

Music in this video: 01. "One Step Beyond..." (7" Single Version)        Artist: Madness        Album: One Step Beyond 02. "Woolly Bully:         Artist: Bad Manners        Album: Woolly Bully 03. "Guns Of Navarone"        Artist: Skatalites        Album: Hi-Bop Ska 04. "Louie Louie"        Artist: Toots & The Maytals        Album: Louie Louie 05. "Rat Race"        Artist: The Specials        Album: The Best of the Specials 06. "2-Tone Army"        Artist: Toasters, The        Album: Hard Band For Dead 07. "Hands Off...She's Mine"        Artist The Beat        Album Hands Off...She's Mine 08. "Ghost Town        Artist The Specials        Album Ghost Town 09. "Morning Sun"          Artist Al Barry & The Cimarons 10. "Israelites"        Artist: Desmond Dekker        Album: Rude Boy Ska Ska From Wikipedia, the free encyclopedia SKA MUSIC Upload by Thekingoftheplaylist

  Špijun na odmoru…     U Knez Mihajlovoj ulici, nalazio se nekada restoran "Zagreb". I danas je tu neki lep moderan i veliki restoran, sa baštom ispred i svakako je ukusnije i luksuznije mesto, nego što je to bio "Zagreb". Ta kafana je bila stecište kojekakvih ljudi, najviše alkoholičara raznih zanimanja. Duvanski dim i karirani stoljnjaci na jednostavnim drvenim stolovima su bili deo neke opšte atmosfere. Lično nikada nisam voleo tu kafanu ali je zato Leo voleo. Odgovarala je njegovom senzibilitetu i on se tu osećao domaćinski. Kakve je rupe taj čovek znao da rade do jutra, to je bilo zaista za upitati se šta je sa njim.   Bilo je veoma hladno veče, spremala se još hladnija noć. Ušao sam u kafanu i pogledao ima li neki slobodan sto a da nije puno izložen, videh dva tri do prozora koji su gledali na Knez Mihajlovu. Seo sam spreman da naručim piće i dočekam Lea. Konobar me je posetio za desetak minuta. Naručio sam četiri piva. Dva za mene, dva za Lea, ovde

Darkwood Dub was an alternative rock band from Belgrade, Serbia, which, formed in 1988, gradually grew to prominence on the Serbian rock scene. Their music is characterized by gentle bass lines, a mixture of live drumming and electronic percussion, along with frequent use of slide guitar, synthesizers and samplers. The succinct and introspective lyrics are also a prominent feature, sung with offbeat vocals of Dejan Vučetić. Apart from 7 official albums, the band participated in several joint projects, composed scores for several films and theatre plays. They also showed a political streak by participating in many pro-democracy projects. In 2009, the band was nominated for the Best Regional Act at the MTV European Awards. Towards the end of their existence, Darkwood Dub were one of the top bands of the Serbian rock scene, and for the 10 years preceding their break-up, they toured regularly throughout former Yugoslav countries, Austria, Poland, Slovakia and Hungary. Darkwood Dub From Wi

  Pljačka “Rupe”   Kada se na “Akademiji” otvorio drugi, mali šank to je bilo nešto novo u klubu i kao takvo, mnogima je bilo zanimljivo da se tada "parkiraju", kod malog, ne više kod velikog šanka. Uglavnom su ljudi u tom delu, meni bili manje poznati. Navikao sam da mi pred očima budu Lubarda, Uča, Slavko motorista i kojekava više i manje poznata lica. Jedino što mi je tako proširen prostor omogućavao, kada se malo "zakucam", da mogu da napravim par krugova, kako bih se "razgibao".   Prišao mi je Šnji.   - Živu su uhapsili.   - Šta je bilo, jel "pao"... nisam video drugi razlog, zašto bi taj mladić bio uhapšen.   - Ne... on više nema zašta da "padne" ... roknuo se i posle sat vremena sa špricem je pretio devojci u trafici da će da je ubode ako mu ne bude dala novac... rekao je da ima Sidu.   - Nemoguće... - zaprepastio sam se, nisam znao da je već dotle došao.   - Moguće je, pazi kakav idiot.. a... ja više ne mogu sa nji

  Žikin Vuk   Pre nego što opišem žurku u stanu Žike Pavlovića,   gde smo pozvani od strane njegovog sina Vuka i ćerke Milene, imam potrebu da kratko podsetim na život i delo ovog velikog umetnika. Žika Pavlović bio je jedan od najznačajnijih srpskih reditelja “crnog talasa” jugoslovenskog filma, književnik i slikar.   Iza ovog čoveka ostalo je veliko delo na svim ovim poljima. On je sigurno jedan od najplodnijih autora u periodu od 50-tih do 90-tih godina. Država mrtvih je poslednji film Živojina Pavlovića. Film je govorio o vremenu koje ja tek sada opisjem. Bio je zabranjen. Živojin nije dočekao da ga vidi završenog na velikom platnu, dok su njegovi saradnici pod pritiscima završavali film.   Država mrtvih premijerno je prikazan pred beogradskom publikom tek 2002. godine. Ostaće jedan od naših autora koji će se sigurno još “proučavati”.     Vuk Pavlović, naš prijatelj, koji nažalost, isto tako, više nije sa nama, je takođe bio talentovan čovek, iako su se u to vreme žalili na nje

Creedence Clearwater Revival , also referred to as Creedence and CCR, was an American rock band that recorded and performed from 1959 to 1972 under various names before settling on the Creedence Clearwater Revival name in 1967. The band initially consisted of lead vocalist, lead guitarist, and primary songwriter John Fogerty; his brother, rhythm guitarist Tom Fogerty; bassist Stu Cook; and drummer Doug Clifford. These members had played together since 1959, first as the Blue Velvets and later as the Golliwogs.  CCR's musical style encompassed roots rock, swamp rock, blues rock, Southern rock, country rock, and blue-eyed soul. Belying their origins in the East Bay subregion of the San Francisco Bay Area, the band often played in a Southern rock style, with lyrics about bayous, catfish, the Mississippi River and other elements of Southern United States iconography. The band's songs rarely dealt with romantic love, concentrating instead on political and socially conscious lyrics a

The B-52s (styled as The B-52's prior to 2008)[8] is an American new wave band formed in Athens, Georgia, in 1976. The original line-up consisted of Fred Schneider (vocals, percussion), Kate Pierson (vocals, keyboards, synth bass), Cindy Wilson (vocals, percussion), Ricky Wilson (guitar), and Keith Strickland (drums, guitar, keyboards). Ricky Wilson died from AIDS-related illness in 1985,[9] and Strickland switched from drums to lead guitar. The band also added various members for albums and live performances. The group evoked a "thrift shop aesthetic", in the words of Bernard Gendron,[ by drawing from 1950s and 1960s pop sources, trash culture, and rock and roll. Schneider, Pierson, and Wilson sometimes use call-and-response-style vocals (Schneider's often humorous sprechgesang contrasting with the melodic harmonies of Pierson and Wilson), and their guitar- and keyboard-driven instrumentation comprises their trademark sound, which was also set apart from their contem