Sebastian Sava Gor

Santa Sangre (English: Holy Blood) is a 1989 avant-garde surreal horror film directed by Alejandro Jodorowsky and written by Jodorowsky along with Claudio Argento and Roberto Leoni. It stars Axel Jodorowsky, Adán Jodorowsky, Teo Jodorowsky, Blanca Guerra, Thelma Tixou, and Guy Stockwell. An international co-production of Mexico and Italy, the film is set in Mexico, and tells the story of Fenix, a boy who grew up in a circus and his struggle with childhood trauma. It is signed on Empire magazine's 2008 list of the 500 Greatest Movies of All Time... Santa Sangre From Wikipedia, the free encyclopedia Amazon / Santa Sangre "Fenix is a young man confined to a Mexican asylum where day after day doctors try to bring him out of his bewildered monkey-like mental state – his room is outfitted with a specifically tailored basket and a nine feet tall tree that he likes to sit in and he eats raw fish. From there we flash back to his childhood, a time where he grew up as a circus musician,

"Peter Tosh, OM (born Winston Hubert McIntosh; 19 October 1944 – 11 September 1987) was a Jamaican reggae musician. Along with Bob Marley and Bunny Wailer, he was one of the core members of the band the Wailers (1963–1976), after which he established himself as a successful solo artist and a promoter of Rastafari. He was murdered in 1987 during a home invasion.... Peter Tosh From Wikipedia, the free encyclopedia PETER TOSH Official DISCOGS - PETER TOSH Having flirted with commercial acceptance on Bush Doctor, the former Wailers guitarist reasserted his cranky contrarian militancy on this album -- which is why he never reached the mega-stardom of his countryman Bob Marley. Unlike his old Wailers bandmate, Tosh had little interest in leavening his music's fiercely political bent, which effectively cemented his acquired-taste status (at least to American audiences). "Rumors of War" and "Fight On" explicitly address black majority rule in South Africa, a subjec

  Vision Things     Sale je moj prijatelj još od detinjstva. Spomenuo sam ga kada sam opisivao Azrin koncert u Filmskom Gradu.. Moram da priznam da je on možda najveći ekscentrik koga poznajem. Mislim da ispunjava sve kriterijume da bih ga ovako okarakterisao. Njegovo ponašanje, još u najranijoj mladosti je to dokazivalo. Neuobičajeni načini rešavanja određenih problema i nesvakidašnji prioriteti svakodnevnog života, gde on nije kršio moralne ili zakonske norme ali je svojim ponašanjem rano pokazivao najčudnije reakcije, mišljenje, određene stavove i uopšte sa njim se nikada unapred nije znalo kakav će odgovor dati ili šta će uraditi i kako na šta reagovati.   Ne znam da li je na njega uticalo to što je pao sa četvrtog sprata, leteći između gelendera i udario glavom o podrumski beton.   Prvo čime nas je sve još u petom razredu osnovne zaprepastio je prekonoćni preobražaj u pankera. Bio je tada najmlađi panker u društvu pankera koji su se sakupljali u parkiću ispod hotela "

Darkwood Dub was an alternative rock band from Belgrade, Serbia, which, formed in 1988, gradually grew to prominence on the Serbian rock scene. Their music is characterized by gentle bass lines, a mixture of live drumming and electronic percussion, along with frequent use of slide guitar, synthesizers and samplers. The succinct and introspective lyrics are also a prominent feature, sung with offbeat vocals of Dejan Vučetić. Apart from 7 official albums, the band participated in several joint projects, composed scores for several films and theatre plays. They also showed a political streak by participating in many pro-democracy projects.[1] In 2009, the band was nominated for the Best Regional Act at the MTV European Awards. Towards the end of their existence, Darkwood Dub were one of the top bands of the Serbian rock scene, and for the 10 years preceding their break-up, they toured regularly throughout former Yugoslav countries, Austria, Poland, Slovakia and Hungary. * Група Дарквуд да

     Muzički Praznik:  Nick Cave and Bad Seeds - SKC-u12. 06. 1990   Malo njih u  Beogradu je znalo za Nik Kejva u to vreme. Bila je to specifična grupa ljudi koja je jako dobro poznavala alternativnu muzičku scenu. Ipak dovoljno ljudi. Karte nisu bile rasprodate sve ali je velika sala SKC-a bila puna. Kejva sam prvi put video i čuo u filmu Nebo nad Berlinom (Der Himmel uber Berlin) nemačko-francuskog filma, kojeg je 1987. Koji je režirao Wim Wenders. Film sam odgledao u Kinoteci dve godine pre koncerta. Sa projekcije sam izašao potpuno zbunjen. Sećam se da sam bez razloga šetao po Beogradu i pod uticajem filma, razmišljao, vraćao slike, pokušavajući da pohvatam i shvatim šta sam to zapravo gledao. Film je na mene ostavio veliki utisak. Normalno da sam se odmah pobrinuo da nađem šta se može naći od tadašnje diskografije benda Birthday Party. Niko ništa od mojih poznanika nije imao nasnimljeno ni na kaseti a tek ne ploču. Uopšte za bend su znali samo Zokac, Vanja i Bogi. Na berzi is

Stalker (Russian: Сталкер, IPA: [ˈstaɫkʲer]) is a 1979 Soviet science fiction art drama film directed by Andrei Tarkovsky with a screenplay written by Arkady and Boris Strugatsky, loosely based on their 1972 novel Roadside Picnic. The film combines elements of science fiction with dramatic philosophical and psychological themes.  The film tells the story of an expedition led by a figure known as the "Stalker" (Alexander Kaidanovsky), who takes his two clients—a melancholic writer (Anatoly Solonitsyn) seeking inspiration, and a professor (Nikolai Grinko) seeking scientific discovery—to a mysterious restricted site known simply as the "Zone", where there supposedly exists a room which grants a person's innermost desires.  Stalker was released on Goskino in May 1979. Upon release, the film garnered mixed reviews, but in subsequent years it has been recognized as a classic of world cinema, with the British Film Institute ranking it #29 on its list of the "50 Gr

  “Maksimir” Ne znam da   li Vam je poznat ovakav osećaj, gledate u vatru, vatra pred vašim očima proždire kuću, čujete plač i vrištanje, vidite gomilu ljudi oko sebe, koji posmatraju isti prizor, vidite i dovoljno ljudi, koji radi na tome da vatru obuzdaju i ugase, pored svega vama je pažnja usmerena na samu vatru, nekakav osećaj strahopoštovanja je prisutan u Vama. Ljude vidite van fokusa, vatra je u prvom planu, ona se diže ka nebu i vi ne možete skloniti pogled sa nje, kao da ste hipnotisani. Ona će možda nekoga i ubiti ali u tom momentu Vama to nije jasno tako da nije ni bitno, nejasna predstava. Vidite silu u vatri, ona Vam ispunjava dušu svojom veličanstvenošću. Kada vatra nestane, kada ostane samo dim i Vi   njemu okrećete leđa sa bujicom nagomilanih emocija i misli, gde se pitate da li ste trebali pritrčati u pomoć? Da li ima poginulih? Pred kakvim ste se to prizorom uopšte upravo našli?     Dobro i zlo. Krajnosti koji potvrđuju dualnu, podvojenu percepciju stvarnosti.. Mome